The concept of imaginative fatigue in the Anthropocene presents a kind of heady platform for lighting into all kinds of literary corruption and gatekeeping issues that are holding the rising waters in place, out of view or at least off the page:
This makes itself evident in the paucity of fiction devoted to the carbon economy, something the Brooklyn-based Indian writer Amitav Ghosh addresses in his marvelous recent book, The Great Derangement, writing, “When the subject of climate change occurs . . . it is almost always in relation to nonfiction; novels and short stories are very rarely to be glimpsed within this horizon.” Ghosh, who has depicted the precarious ecology of the Sundarban mangrove forests of Bengal in his novel, The Hungry Tide, says that this absence has to be “counted as an aspect of the broader imaginative and cultural failure that lies at the heart of the climate crisis,” a failure so pervasive that he calls our era, “which so congratulates itself on its self-awareness . . . the time of the Great Derangement.”
I agree with the reviewer that any discussions about the ‘ravages of the carbon economy’ would necessarily include story lines on the failure of capitalism. And talk about a contrivance. Who would believe that? Perhaps at no point have we ever been so self-hemmed in – constrained by our own no-go areas. Does any writer today imagine Zola or Hugo, or Anatole France or, good grief Racine, adhering to such constraints? Is it only fear? Will the publishers and agents love us no longer? What then? Asking for a friend of the fate of the world.
Image: Author photo of the flooded Seine, June 2016.
The stupidity of millions, millions of individually stupid decisions, has brought a spiteful revolution to its denouement. Or a screaming kid to its mall, whichever you prefer.
He was able to trot out on a sunny afternoon and announce a positively pointless jab to his own eye. Wisht it had been more pointed:
It is similar to the predominant response to liberal terror over the prospect of handing the most powerful office in the world to an impulsive congenital liar with authoritarian tendencies. Conservatives on the whole devoted less attention to pondering the risks Trump might pose to their own country and party than enjoying the liberal tears.
“Everybody who hates Trump wants him to stay in Paris,” argues conservative activist Grover Norquist. “Everybody who respects him, trusts him, voted for him, wishes for him to succeed, wants him to pull out.” Here is an argument that approaches, even if it does not fully reach, complete self-awareness: The Paris climate agreement is bad because it is supported by people who oppose Trump. Therefore, the opposing position is the correct one.
If the liberal global elites have established a policy architecture to minimize the threat of climate change, weakening that policy architecture is its own reward. There is not much more to it than that.
All of those who chose not to vote for her, voted for this.
Peter Singer’s 1975 book Animal Liberation is perhaps the seminal text on awakening human consciousness about nonhuman animals. More of a philosophical tract, it presents an even-handed narrative of why animals’ interests should be considered that is neither ‘good’ not ‘bad’ per se. It’s big idea of ‘the greatest good’ is an effective route to ethical behavior, and it resonates with the challenge of how to get people to care about nature, which – if not cast as satire – is one of the most urgent ideas of the last and the next twenty years:
It is easy to see how bleak accounts of the state of the planet can overwhelm people and make them feel hopeless. What is the point of even trying if the world is going down the drain anyway?
To muster public and political support on a scale that matches our environmental challenges, research shows that negative messaging is not the most effective way forward. As a conservation scientist and social marketer, I believe that to make the environment a mainstream concern, conservation discussions should focus less on difficulties. Instead we should highlight the growing list of examples where conservation efforts have benefited species, ecosystems and people living alongside them.
The promise of positive messaging and marketing language to sway greater environmental sh*t-giving is cynical, but here we are. He’s not wrong, though the degree to which the vision of this kind of promotion will necessarily muster the language of commodity (great cause of said looming catastrophic scenarios) to save the Earth makes the pain in my neck throb. It could also make the messages that feel like Coca-Cola ads that much easier to dismiss from familiarity. Optimism in the face of destruction has its limits, and sometimes we need to look at things as they are and act accordingly. Like adults instead of media companies.
Still, Lost & Found is a good idea. We can do worse than trying to invigorate the public with the wonder of natural wonder, as long as they don’t begin to believe too strongly in its resilience. We can lead the water to horses, but can we make them care?
I’m largely ambivalent about the Academy Awards, but I do like when a powerful documentary has an opportunity for wider exposure because of its nomination. 5 Broken Cameras is one of those films where you ask how did they make that? – and not in the goofy CGI way. I hope it wins.