The good news wrapped in the bad: COVID-19 seems to mutate slowly enough that a vaccine could be available by yearend or early 2021.
Opening schools for in-person instruction, at every level, would seem best AFTER that time. Do we have the ability/courage/wisdom to wait it out? Only complete answers accepted. Show your work.
Image: Plants listening to Puccini in Barcelona, via the Guardian.
NASA and European Space Agency (ESA) pollution monitoring satellites have detected significant decreases in nitrogen dioxide (NO2) over China. There is evidence that the change is at least partly related to the economic slowdown following the outbreak of coronavirus.
At the end of 2019, medical professionals in Wuhan, China, were treating dozens of pneumonia cases that had an unknown source. Days later, researchers confirmed the illnesses were caused by a new coronavirus (COVID-19). By January 23, 2020, Chinese authorities had shut down transportation going into and out of Wuhan, as well as local businesses, in order to reduce the spread of the disease. It was the first of several quarantines set up in the country and around the world.
The maps on this page show concentrations of nitrogen dioxide, a noxious gas emitted by motor vehicles, power plants, and industrial facilities. The maps above show NO2 values across China from January 1-20, 2020 (before the quarantine) and February 10-25 (during the quarantine). The data were collected by the Tropospheric Monitoring Instrument (TROPOMI) on ESA’s Sentinel-5 satellite. A related sensor, the Ozone Monitoring Instrument (OMI) on NASA’s Aura satellite, has been making similar measurements.
“This is the first time I have seen such a dramatic drop-off over such a wide area for a specific event,” said Fei Liu, an air quality researcher at NASA’s Goddard Space Flight Center. Liu recalls seeing a drop in NO2 over several countries during the economic recession that began in 2008, but the decrease was gradual. Scientists also observed a significant reduction around Beijing during the 2008 Olympics, but the effect was mostly localized around that city, and pollution levels rose again once the Olympics ended.
It doesn’t take a disaster or even an emergency – beyond the one we have already created with the usual emissions levels. Reductions are possible. Disasters and loss are not mandatory, though we do make them inevitable to some extent by doing nothing. Still, these dramatic images should be instructional about what’s possible. It would be interesting to know the near-term implications of these reductions. You know, science.
It is very difficult to report on Climate Change. It even difficult to write about reporting on climate change. For example:
On the NYT Climate and Environment page right now has these as their stories:
Fossil Fuels Are to Blame for Soaring Methane Levels, Study Shows
Bezos Commits $10 Billion to Address Climate Change
Both are serious stories and neither can be taken as straight news as they scream out for flame and snark – not even looking at you, twitter. But it points up the challenges of treating climate developments as new when they have existed for more more than a decade and are only being admitted into polite, gray lady discourse. The very idea that plutocratic climate funds are any kind of answer to anything is almost as ludicrous as the story a little farther down the page about damming the North Sea to combat sea level rise. I’m sure they meant the other ‘damning,’ and perhaps could have used them interchangeably.
This is not [only] a complaint. That these stories are being reported out, written and published is something – it’s just an incomplete something. We probably need to cross reference these stories to get a more accurate picture. True multi-media. Bezos’ billions could go to greenlight feature films of stories about what’s happening. You can’t turn the tanker without starting to turn. The. Tanker.
Interesting digression from Joel Klotkin about a dilemma that continues to plague us, which is also wrapped tightly around all efforts to de-couple ever-growing returns in economic activity from energy-intensive work and employment:
The global phenomena of low economic growth and rising prices has sparked middle-class-led rebellion—what one Marxist publication describes as “a strike against the rising cost of living.” While the specific issues may vary in each instance, the new protests are motivated by middle- and working-class fears that slow and de-growth conditions will “proletarianize” their once decently comfortable living standards.
Many of the progressive gentry dismiss these movements as primitive populism, producing detestable things like Brexit and the election of Donald Trump. But the “great revolt” has since expanded to countries with liberal cultures and evolved welfare states, including France, Chile, even Norway and the Netherlands. In most places these rebellions are led not by perpetually outraged students, laid off workers, or angry immigrants, but by solidly middle-income workers who feel their long-term prospects, and those of their children, are increasingly dismal.
These fears are particularly acute for workers in environmentally inconvenient industries, such as energy, manufacturing, or home-building, who are losing their jobs or have been explicitly targeted for unemployment by the green Left. Those who continue to work in unavoidably energy-intensive industries like agriculture continue to be saddled with ever rising costs for critical commodities like diesel fuel. These energy price rises particularly impact most Europeans who drive to work.
This is obviously not unrelated to the perpetual ‘make the miners into coders’ solution that is stupid on its face (we don’t need that many coders) and insulting by implication (they can just do something else!).
The need for ever-increasing growth needs some re-imagined parameters. Instead of successive generations wanting their kids to earn more and more, what if our dream was for them to work less and less? What else might they do? Do you mean we can’t think of or value anything else beyond work? Is that the actual problem? The idea/reality that it is blasphemy to consider the merits of working a 20-hour week, or that we have trouble imagining these merits says far more about us that we should be comfortable with.
Hmmm. What’s Green?
Image by author.
Well knock us over with a…
The “shareholder comes first” has for years been the mantra of the Business Roundtable, a group that represents the most powerful CEOs in America and their thinking.
The group’s new principles on the role of a corporation released Monday imply a foundational shift, putting shareholders on more equal footing with others who have an interest in a corporation to some degree — including workers, suppliers, customers and, essentially, society at large.
“We know that many Americans are struggling. Too often hard work is not rewarded, and not enough is being done for workers to adjust to the rapid pace of change in the economy. If companies fail to recognize that the success of our system is dependent on inclusive long-term growth, many will raise legitimate questions about the role of large employers in our society,” the statement reads.
First, let’s think about presenting this as “news” ( it grows increasingly difficult to choose which word gets ironi-quoted)? Not just news but it was above the fold – meat space term for the top story on the site, as though the NYT (WAPO and others) wanted to make sure it was very definitely seen and just as likely unread, per their habits. Great placement! Either it’s meant for the shallow consumption of millions or the verification by the 65 to 85 people who mean the most to them. Theories welcome.
Unusually, I’m not a pitchfork sharpener. But let’s at least be a little skeptical about this gambit. CEO’s are now worried about this? I wonder why? Hong Kong, maybe. Hmmm, let’s think about that, broaden the context of what they’re saying because this may well be being introduced to lead exactly nowhere, as in See, We Talked About That Once. Kind of like a window of purses at Barney’s. Isn’t that nice?
But Hong Kong – complicated (why?). Scary (for whom?). 2047, huh. Interesting. Those people got born and are here now. But look over here – robot cars! Greenland?! What a goob!
Films – our most powerful cultural vehicle – are, like our decisions about climate justice and immigration cruelty, only as good as the people who are making them. For a long time, the film industry hid behind a financial rationale behind the dearth of black, Latinx and Native American directors. Then it had to get even more sophisticated.
The NYT takes us back to the 1990’s, when supposedly everything was changing:
But as the decade wore on, a wall was re-erected, black filmmakers now say, and many of the same people who had been held up as the faces of a changing industry watched as their careers ground slowly to a halt.
“I was told that I was in director’s jail,” said Matty Rich, whose emotionally incendiary 1991 debut film, “Straight Out of Brooklyn,” won a special jury prize at the Sundance Film Festival that year. Major film studios hailed him as a prodigy. But he’s made only one other film since — in 1994.
Darnell Martin, whose vibrant 1994 romantic comedy “I Like It Like That” was the first studio-produced film to be directed by an African-American woman (it won the New York Film Critics Circle award for best first feature), said she was later blacklisted in the industry for speaking out against racism and misogyny.
“You think, ‘It’s O.K. — you’re like every other filmmaker,’ but then you realize, ‘No,’” she said. “It’s like they set us up to fail — all they wanted was to be able to pat themselves on the back like they did something.”
The New York Times recently convened a discussion with six directors who were part of a wave of young black talent that surged 30 years ago this month — beginning with the success of “Do the Right Thing” in July 1989 — only to come crashing down, as Hollywood in the 1990s and 2000s reconstituted itself around films with white directors and white casts.
It may sound obvious – it is – but the way filmmakers speak with a forward voice and vision is of course connected to those individual filmmakers. Our tender baby steps on diversity are quietly arriving after a very extended epoch of everything-else-has-been-tried-to-prove-we-aren’t-racist. Some remain convinced that everything hasn’t been tried, but still… teeny, baby steps. For more on the racial politics of the movie industry, see this interview with the author of The Hollywood Jim Crow.
To Repeat:
In actuality, the acquisition of the right to vote by those outside the city had little meaning to all but the wealthy. Membership in the Roman assemblies was not done by election – it was a direct democracy. Voting was done by tribes, and all citizens were assigned to a particular tribe (often based on wealth) where each tribe voted as one. However, to vote a person had to appear in person which was something only the wealthy could afford to do. But citizenship was not eternal. If necessary, an individual’s citizenship could be revoked; this latter condition was mostly reserved for criminals.
Every five years a citizen had to register himself at the Villa Publica for the census, declaring the name of his wife, the number of children, and all of his property and possessions (even his wife’s clothes and jewels were declared). Every Roman citizen believed the government had a right to know this information. All of this data was reviewed and evaluated by the city’s magistrates (censors) who could “promote or demote each citizen according to his worth.” Tom Holland wrote on the value of the census, “Classes, centuries, and tribes, everything that enabled a citizen to be placed by his fellows, were all defined by the census.”
Juxtaposed to discussions at the Supreme Court today:
Multiple times during Tuesday’s hearing on the Trump administration’s move to add a citizenship question to the census, Gorsuch returned to vague allusions to an unsuccessful 2016 Supreme Court case that dealt with that possibility.
Gorsuch’s lines of inquiry didn’t get too much traction at Tuesday’s arguments, which mostly focused on the technical considerations of Secretary Wilbur Ross’ decision to include the question. But, in a way, they were appropriate, given that overhauling how legislative districts are drawn — a massive voting rights change that would diminish the political power of urban and diverse communities — appears to be the endgame of the current push to add the question.
Some time ago, as I was going through Ruskin’s Fors Clavigera, I would re-type sections into a message for a good friend, C______. Herein are some of the reasons we were so locked-in with the heart and mind of the Victorian savant:
The second major stage of his career may be said to begin in 1858, when Ruskin was visiting Turin and, having been depressed by a boring and stupid sermon, saw Veronese’s painting of King Solomon and the queen of Sheba. He was utterly overwhelmed by the sensual immediacy of the work, which seemed to him far more obviously true than the spectral doctrines of the Christianity whose hold on him had been gradually (though insensibly) loosening. He experienced what he later called his “deconversion,” and this lasted for nearly twenty years. This was the period of Ruskin as political economist—though, thanks to his incapacity to separate the forces that most of us find it convenient to separate, his thoughts about political economy were always connected to his aesthetic convictions and even (though in a new and often subterranean way) to his deep and detailed knowledge of the biblical call to justice.
The major product of this period of Ruskin’s life was the collection of monthly pamphlets known as Fors Clavigera. Ruskin thought of these pamphlets as open letters: the full title of the project was Fors Clavigera: Letters to the Workmen and Labourers of Great Britain. After decades of work as a historian and critic of art and architecture, Ruskin had come to believe that (1) the arts of his own age were, generally speaking, far less excellent than they should be; (2) that those deficiencies were inevitable by-products of a corrupt system of political economy that promoted profit for the industrialist above all and so enforced impersonal efficiency and productivity over the flourishing of makers and craftsmen; and (3) that, therefore, a critique of political economy must be articulated before anything else. The political economy of Britain had to be altered so that the conditions of labour could be improved so that the arts could be renewed so that persons could thrive once more. Thus Ruskin’s first major exercise in this endeavour was a series of 1857 lectures published as The Political Economy of Art.
EmPHAsis added. I can love some old-fashioned-y-ness, especially retro-fit with eye shadow and boots of punk or, like here, the scholarly sense of seeing so many things as inseparable.
