Solar all night

I’m usually pretty hard on CNN, and they always deserve it, despite the many fine people in their employ. So here’s an attaboy, CNN.

Just another post

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Pervasiveness in the Larvarium Project

Because it’s one of the high points of our civilization, which may or may not feel like they’re passing you by at the moment, or like its greatest moments are in the past, Vladimir Nabokov’s Ada or Ardor: A Family Chronicle. Long live the written word. Part 1, Chapter 8:

On the same morning, or a couple of days later, on the terrace:
“Mais va donc jouer avec lui,” said Mlle Larivière, pushing
Ada, whose young hips disjointedly jerked from the shock.
“Don’t let your cousin se morfondre when the weather is so
fine. Take him by the hand. Go and show him the white lady
in your favorite lane, and the mountain, and the great oak.
Ada turned to him with a shrug. The touch of her cold
fingers and damp palm and the self-conscious way she tossed
back her hair as they walked down the main avenue of the park
made him self-conscious too, and under the pretext of picking
up a fir cone he disengaged his hand. He threw the cone at a
woman of marble bending over a stamnos but only managed
to frighten a bird that perched on the brim of her broken
jar.
“There is nothing more banal in the world,” said Ada, “than
pitching stones at a hawfinch.
“Sorry,” said Van, “I did not intend to scare that bird. But
then, I’m not a country lad, who knows a cone from a stone.
What games, au fond, does she expect us to play?”
“Je l’ignore,” replied Ada. “I really don’t care very much how
her poor mind works. Cache-cache, I suppose, or climbing trees.”
“Oh, I’m good at that,” said Van, “in fact, I can even
brachiate.
“No,” she said, “we are going to play my games. Games I
have invented all by myself. Games Lucette, I hope, will be
able to play next year with me, the poor pet. Come, let us start.
The present series belongs to the shadow-and-shine group, two
of which I’m going to show you.”
“I see,” said Van.
“You will in a moment,” rejoined the pretty prig. “First of
all we must find a nice stick.”
“Look,” said Van, still smarting a bit, “there goes another
haw-haw finch.”
By then they had reached the rond-point—a small arena en-
circled by flowerbeds and jasmine bushes in heavy bloom. Over-
head the arms of a linden stretched toward those of an oak, like
a green-spangled beauty flying to meet her strong father hang-
ing by his feet from the trapeze. Even then did we both under-
stand that kind of heavenly stuff, even then.
“Something rather acrobatic about those branches up there,
no?” he said, pointing.
“Yes,” she answered. “I discovered it long ago. The teil is the
flying Italian lady, and the old oak aches, the old lover aches,
but still catches her every time” (impossible to reproduce the
right intonation while rendering the entire sense—after eight
decades!—but she did say something extravagant, something
quite out of keeping with her tender age as they looked up and
then down).
Looking down and gesturing with a sharp green stake bor-
rowed from the peonies, Ada explained the first game.
The shadows of leaves on the sand were variously interrupted
by roundlets of live light. The player chose his roundlet—the
best, the brightest he could find—and firmly outlined it with
the point of his stick; whereupon the yellow round light would
appear to grow convex like the brimming surface of some golden
dye. Then the player delicately scooped out the earth with his
stick or fingers within the roundlet. The level of that gleaming
infusion de tilleul would magically sink in its goblet of earth and
finally dwindle to one precious drop. That player won who
made the most goblets in, say, twenty minutes.
Van asked suspiciously if that was all.
No, it was not. As she dug a firm little circle around a par-
ticularly fine goldgout, Ada squatted and moved, squatting,
with her black hair falling over her ivory-smooth moving knees
while her haunches and hands worked, one hand holding the
stick, the other brushing back bothersome strands of hair. A
gentle breeze suddenly eclipsed her fleck. When that occurred,
the player lost one point, even if the leaf or the cloud hastened
to move aside.
All right. What was the other game?
The other game (in a singsong voice) might seem a little
more complicated. To play it properly one had to wait for p.m.
to provide longer shadows. The player—
“Stop saying ‘the player.’ It is either you or me.”
“Say, you. You outline my shadow behind me on the sand.
I move. You outline it again. Then you mark out the next
boundary (handing him the stick). If I now move back—”
“You know,” said Van, throwing the stick away, “personally
I think these are the most boring and stupid games anybody has
ever invented, anywhere, any time, a.m. or p.m.”
She said nothing but her nostrils narrowed. She retrieved the
stick and stuck it back, furiously, where it belonged, deep into
the loam next to a grateful flower to which she looped it with
a silent nod. She walked back to the house. He wondered if
her walk would be more graceful when she grew up.
“I’m a rude brutal boy, please forgive me,” he said.
She inclined her head without looking back. In token of
partial reconciliation, she showed him two sturdy hooks passed
into iron rings on two tulip-tree trunks between which, before
she was born, another boy, also Ivan, her mother’s brother, used
to sling a hammock in which he slept in midsummer when the
nights became really sultry—this was the latitude of Sicily, after
all.
“A splendid idea,” said Van. “By the way, do fireflies burn
one if they fly into you? I’m just asking. Just a city boy’s silly
question.”
She showed him next where the hammock—a whole set of
hammocks, a canvas sack full of strong, soft nets—was stored:
this was in the corner of a basement toolroom behind the lilacs,
the key was concealed in this hole here which last year was
stuffed by the nest of a bird—no need to identify it. A pointer
of sunlight daubed with greener paint a long green box where
croquet implements were kept; but the balls had been rolled
down the hill by some rowdy children, the little Erminins, who
were now Van’s age and had grown very nice and quiet.
“As we all are at that age,” said Van and stooped to pick up
a curved tortoiseshell comb—the kind that girls use to hold up
their hair behind; he had seen one, exactly like that, quite re-
cently, but when, in whose hairdo?
One of the maids,” said Ada. “That tattered chapbook must
also belong to her, Les Amours du Docteur Mertvago, a mystical
romance by a pastor.”
“Playing croquet with you,” said Van, “should be rather like
using flamingoes and hedgehogs.”
Our reading lists do not match,” replied Ada. “That Palace
in Wonderland was to me the kind of book everybody so often
promised me I would adore, that I developed an insurmountable
prejudice toward it. Have you read any of Mlle Larivière’s
stories? Well, you will. She thinks that in some former Hindooish
state she was a boulevardier in Paris; and writes accordingly.
We can squirm from here into the front hall by a secret passage,
but I think we are supposed to go and look at the grand chêne
which is really an elm.” Did he like elms? Did he know Joyce’s
poem about the two washerwomen? He did, indeed. Did he like
it? He did. In fact he was beginning to like very much arbors
and ardors and Adas. They rhymed. Should he mention it?
“And now,” she said, and stopped, staring at him.
“Yes?” he said, “and now?”
“Well, perhaps, I ought not to try to divert you—after you
trampled upon those circles of mine; but I’m going to relent
and show you the real marvel of Ardis Manor; my larvarium,
it’s in the room next to mine” (which he never saw, never—
how odd, come to think of it!).
She carefully closed a communicating door as they entered
into what looked like a glorified rabbitry at the end of a marble-
flagged hall (a converted bathroom, as it transpired). In spite
of the place’s being well aired, with the heraldic stained-glass
windows standing wide open (so that one heard the screeching
and catcalls of an undernourished and horribly frustrated bird
population), the smell of the hutches—damp earth, rich roots,
old greenhouse and maybe a hint of goat—was pretty appalling.
Before letting him come nearer, Ada fiddled with little latches
and grates, and a sense of great emptiness and depression re-
placed the sweet fire that had been consuming Van since the

beginning of their innocent games on that day.

Whistling Past the Gravy

This is a really good point that is also true for the way we/I might and do talk about using less, walking, biking… whatever your particular flavor of enlightened action/activism might be:

But when Bittman says things like this, it gets under my skin:

What’s easier [than political action] is to cook at every opportunity, to demonstrate to family and neighbors that the real way is the better way. And even the more fun way: kind of like a carnival.

Maybe. But cooking for a big family is hard work. It’s not fun for everyone. Food writers (Michael Pollan does this as well) romanticize a past of family meals. But those meals were not easy to make. They were almost always created by women who stayed at home and toiled away at running a household. Even if that situation were desirable today, and many of us would say it is not, it’s not realistic. Most families cannot survive without two incomes and even working two jobs. That doesn’t even take into account single parents. The history of processed food does not inspire one with delicious joy, but it is also a history of technological relief from drudgery. That’s no less true today.

Good to remember that the effectiveness of some of the solutions you might hear about or suggest yourself are just out of the realm of possibility for some people, if not insulting to them. And highfalutin’ advocacy may even work against you and send people right back into the arms of McDo, Exxon, Big Oil, the Kochs, the Tea Party… whomever it may be that is already telling people what they want to hear. You may quite easily and without intent put forth a holier-than-thou solution that turns more people off than on. It’s not a needle (you must thread), but it is sharp. Remember other people’s vulnerabilities. The life you save may be your own.

In a much too similar vein, NPR is pathetic.

In the Midst of War

Roger_Fry_-_Virginia_Woolf

Whatever you are tying to do – be a family, be civilized, be an artist (there are, admittedly, more than these three possibilities) – it’s both more difficult to do in the midst of a war and a type of war all in itself. Battling opposing forces and circumstances beyond your control, encountering unforeseen obstacles, the similarities are all there.

Perhaps no writer ties all of these struggles together in one like Virginia Woolf. Your mileage may vary of course, but, it’s all there in To the Lighthouse (1927). This is from the second section, Time Passes:

So with the lamps all put out, the moon sunk, and a thin rain drumming on the roof a downpouring of immense darkness began. Nothing, it seemed, could survive the flood, the profusion of darkness which, creeping in at keyholes and crevices, stole round window blinds, came into bedrooms, swallowed up here a jug and basin, there a bowl of red and yellow dahlias, there the sharp edges and firm bulk of a chest of drawers. Not only was furniture confounded; there was scarcely anything left of body or mind by which one could say, “This is he” or “This is she.” Sometimes a hand was raised as if to clutch something or ward off something, or somebody groaned, or somebody laughed aloud as if sharing a joke with nothingness.

Nothing stirred in the drawing-room or in the dining-room or on the staircase. Only through the rusty hinges and swollen sea-moistened woodwork certain airs, detached from the body of the wind (the house was ramshackle after all) crept round corners and ventured indoors. Almost one might imagine them, as they entered the drawing-room questioning and wondering, toying with the flap of hanging wall-paper, asking, would it hang much longer, when would it fall? Then smoothly brushing the walls, they passed on musingly as if asking the red and yellow roses on the wall-paper whether they time at their disposal) the torn letters in the wastepaper basket, the flowers, the books, all of which were now open to them and asking, Were they allies? Were they enemies? How long would they endure?

So some random light directing them with its pale footfall upon stair and mat, from some uncovered star, or wandering ship, or the Lighthouse even, with its pale footfall upon stair and mat, the little airs mounted the staircase and nosed round bedroom doors. But here surely, they must cease. Whatever else may perish and disappear, what lies here is steadfast. Here one might say to those sliding lights, those fumbling airs that breathe and bend over the bed itself, here you can neither touch nor destroy. Upon which, wearily, ghostlily, as if they had feather-light fingers and the light persistency of feathers, they would look, once, on the shut eyes, and the loosely clasping fingers, and fold their garments wearily and disappear. And so, nosing, rubbing, they went to the window on the staircase, to the servants’ bedrooms, to the boxes in the attics; descending, blanched the apples on the dining-room table, fumbled the petals of roses, tried the picture on the easel, brushed the mat and blew a little sand along the floor. At length, desisting, all ceased together, gathered together, all sighed together; all together gave off an aimless gust of lamentation to which some door in the kitchen replied; swung wide; admitted nothing; and slammed to.

[Here Mr Carmichael, who was reading Virgil, blew out his candle. It was past midnight.]

Green as a Test

Of you, and your ability not to believe that just because you are awesome at one thing, that you can do all things. This example is especially hurtful when it comes to art.

She has enough, more than enough, resources to underwrite her directorial forays, but… ouch.

She’s too inexperienced as a writer, from what it sounds like, to set aside her infatuations with the character and navigate the material. That’s the evil green – I know you thought… but no. That‘s simply misuse. It’s not money, but the love of money, etc. In this case, it’s the constraints that normally stop us from doing what we couldn’t or should do that the (abundant) resources nullify.

Plus, she had to deal with big-time Indies producers puffing her and the film for the ‘awards season’. Oh, God. Because she’s Madonna, right? An artiste of the highest bank account/order and the film’s great and everyone’s going to love it. Um… no. Again, people used to become famous because they were smart, now so many are considered to be smart because they’re…

This is not some kind of Schaden-pity. Not at all. As a writer of said scripts, and wishing none of these folks any pain or ill-will, I think she – and truly, many super rich people – could and do have crucial roles to play as executive producers. But it’s up to them to know that. And despite the high dollar amounts, that’s a humble role.

Miserable Places

One of the books I’m reading at present is Tracy Kidder’s 2003 Mountains Beyond Mountains, a gift from some friends this summer. The focus of the book is the work of Paul Farmer, physician and anthropologist, healing the sick, diseased and infirm in disaster-ravaged Haiti. Farmer is a remarkable man, Kidder’s book on him is great and you should pick it up. An excerpt from the author’s site:

It was two weeks before Christmas 1994, in a market town in the central plateau of Haiti, a patch of paved road called Mirebalais. Near the center of town there was a Haitian army outpost–a concrete wall enclosing a weedy parade field, a jail, and a mustard-colored barracks. I was sitting with an American Special Forces captain, named Jon Carroll, on the building’s second-story balcony. Evening was coming on, the town’s best hour, when the air changed from hot to balmy and the music from the radios in the rum shops and the horns of the tap-taps passing through town grew loud and bright and the general filth and poverty began to be obscured, the open sewers and the ragged clothing and the looks on the faces of malnourished children and the extended hands of elderly beggars plaintively saying, “Grangou,” which means “hungry” in Creole.

I was in Haiti to report on American soldiers. Twenty thousand of them had been sent to reinstate the country’s democratically elected government, and to strip away power from the military junta that had deposed it and ruled with great cruelty for three years. Captain Carroll had only eight men, and they were temporarily in charge of keeping the peace among 150,000 Haitians, spread across about one thousand square miles of rural Haiti. A seemingly impossible job, and yet, out here in the central plateau, political violence had all but ended. In the past month, there had been only one murder. Then again, it had been spectacularly grisly. A few weeks back, Captain Carroll’s men had fished the headless corpse of the assistant mayor of Mirebalais out of the Artibonite River. He was one of the elected officials being restored to power. Suspicion for his murder had fallen on one of the junta’s local functionaries, a rural sheriff named Nerva Juste, a frightening figure to most people in the region. Captain Carroll and his men had brought Juste in for questioning, but they hadn’t found any physical evidence or witnesses. So they had released him.

The captain was twenty-nine years old, a devout Baptist from Alabama. I liked him. From what I’d seen, he and his men had been trying earnestly to make improvements in this piece of Haiti, but Washington, which had decreed that this mission would not include “nation-building,” had given them virtually no tools for that job. On one occasion, the captain had ordered a U.S. Army medevac flight for a pregnant Haitian woman in distress, and his commanders had reprimanded him for his pains. Up on the balcony of the barracks now, Captain Carroll was fuming about his latest frustration when someone said there was an American out at the gate who wanted to see him.

There were five visitors actually, four of them Haitians. They stood in the gathering shadows in front of the barracks, while their American friend came forward. He told Captain Carroll that his name was Paul Farmer, that he was a doctor, and that he worked in a hospital here, some miles north of Mirebalais.

I remember thinking that Captain Carroll and Dr. Farmer made a mismatched pair, and that Farmer suffered in the comparison. The captain stood about six foot two, tanned and muscular. As usual, a wad of snuff enlarged his lower lip. Now and then he turned his head aside and spat. Farmer was about the same age but much more delicate-looking. He had short black hair and a high waist and long thin arms, and his nose came almost to a point. Next to the soldier, he looked skinny and pale, and for all of that he struck me as bold, indeed downright cocky.

He asked the captain if his team had any medical problems. The captain said they had some sick prisoners whom the local hospital had refused to treat. “I ended up buyin’ the medicine myself.”

Farmer flashed a smile. “You’ll spend less time in Purgatory.” Then he asked, “Who cut off the head of the assistant mayor?”

“I don’t know for sure,” said the captain.

“It’s very hard to live in Haiti and not know who cut off someone’s head,” said Farmer.

A circuitous argument followed. Farmer made it plain he didn’t like the American government’s plan for fixing Haiti’s economy, a plan that would aid business interests but do nothing, in his view, to relieve the suffering of the average Haitian. He clearly believed that the United States had helped to foster the coup–for one thing, by having trained a high official of the junta at the U.S. Army’s School of the Americas. Two clear sides existed in Haiti, Farmer said–the forces of repression and the Haitian poor, the vast majority. Farmer was on the side of the poor. But, he told the captain, “it still seems fuzzy which side the American soldiers are on.” Locally, part of the fuzziness came from the fact that the captain had released the hated Nerva Juste.

I sensed that Farmer knew Haiti far better than the captain, and that he was trying to impart some important information. The people in this region were losing confidence in the captain, Farmer seemed to be saying, and this was a serious matter, obviously, for a team of nine soldiers trying to govern 150,000 people.

Thanks S and D.

X Marx the Spot

In the capital of capitalism, where capitalism is doing its greatest damage. You don’t have to be an American apostate to think this, just look around you.

Hunter-gatherers persisted in their way of life for thousands of years, slave cultures for almost as long and feudal societies for many centuries. In contrast, capitalism transforms everything it touches.

It’s not just brands that are constantly changing. Companies and industries are created and destroyed in an incessant stream of innovation, while human relationships are dissolved and reinvented in novel forms.

Capitalism has been described as a process of creative destruction, and no-one can deny that it has been prodigiously productive. Practically anyone who is alive in Britain today has a higher real income than they would have had if capitalism had never existed.

That’s from an article on Marx from the BBC, and that point would indeed be difficult to argue with. But of course, it’s not the end of the story – only an enticement to get you to embrace the system further, until the system begins to destroy everything that brought it about. Including democracy – it will have to kill that. In a capitalism vs. democracy cage match, doesn’t capitalism, to even be defined as true capitalism, doesn’t it have to win? What does this mean?

Texas Burning

Prayers and overly-stylized prayer services aside, this is not funny.

Raging wildfires destroyed more than 1,000 homes in Texas over the weekend and thousands of residents were evacuated from the most-threatened areas. Ten new fires labeled “large” by theTexas Forest Service cropped up Monday night across the state.

Drought conditions, high winds, and large amounts of dry, combustible brush are ultimately to blame for some 21,000 wildfires that have hit the state since December.

The loss of homes in the rocky hill country highlights how the addition of 2 million residents every five years has pushed urban sprawl into wildfire danger zones, or as former Austin assistant fire chief Kevin Baum calls it, the “top of a matchstick.”

Apparently, Dallas, Houston and SA are all in some extreme fire zone. And housing developments sprawling into wildfire zones does not a sustainable economy make. It doesn’t even do much for a non-on-fire economy. These failings are indicative of many thing, not the least of which is the easy-to-mischaracterize issue of climate change. Easy to demagogue. Easy to childishly refute (It’s freezing in Florida! in February!). But the earth is just as dry and the fires just as hot, as the climate changes and the effects thereof are just as severe and damaging – whether they choose to believe in it or not.

What externalities?!

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