Skins in the game

sidewalk plaque in Charlottesville, Virginia plaque featured chalk graffiti added by local artist Richard Parks.
(Courtesy of Richard Parks)

As if we need reminding (ed: we do!), set aside how much we hate women and remember how racist we are! The discussion about American universities – especially our oldest, most venerable institutions of higher learning – and their deep connections to slavery has barely begun to break through, even and especially at our oldest, most venerable institutions. So, while the public remains largely unaware of the history, we might wonder how universities have for so long escaped scrutiny about the past – about how they were built, how they succeeded, who they succeeded for, and how so much of this was connected to buying and selling people to use as free labor. The NYRB dives into a four new books, and sets the stage rather clearly:

One reason, perhaps, that academic institutions were spared from scrutiny was that they seemed, by design, to be physically removed from the vulgar transactions of commercial life. The trading houses where merchants contracted for consignments of cotton, rum, molasses, and human chattel; the insurance firms that indemnified slave owners for loss of human property; the clothiers that manufactured coarse smocks for enslaved field hands—all these were likely to be found among shops and markets, close to the banks from which they obtained credit and the wharves where human goods were loaded or unloaded for sale.

Think, on the other hand, of our early colleges: Harvard on its bluff above the Charles River, or Yale looking across New Haven Green toward the Long Island Sound, or Brown atop the heights of Providence. Their architecture (ecclesiastical) and setting (pastoral) seemed to say, “We stand above the fray, removed from the workaday world, in a high-minded sphere of our own.” For people like me whose shelves are filled with books about these colleges, it’s not a bad idea to paste a note every foot or so along the edge of the shelf bearing this reminder from the novelist James McBride: “The web of slavery is sticky business. And at the end of the day, ain’t nobody clear of it.”

And friends, of course it’s not just the Ivies. The preponderance of screaming denials (CRT!) and counter-recriminations (Woke!) arise out of fear and cowardice about facing this history as it bleeds to profusely into our present. Can’t stop the bleeding without finding the wound, cleaning it carefully, repairing as much damage as possible, dressing it and providing all available care for full recuperation. Only then can we attend and check on the healing.

Image via WAPO

Recessions fears 1, climate concerns 0

If you’re scoring at home, (and who’s not?) getting off the buying merry go round is proving to be incredibly difficult – even with ever-present reminders of plague, drought, and the cost of everything cross-referenced with the need to exercise and eat better, the joys of being outdoors and seeing people again. It’s all so confusing, especially when the answers are RIGHT there. You’re so close, Brigette:

As gas and food prices climb, Brigette Engler, an artist based in New York City, said she’s driving to her second home upstate less often and cutting back on eating out.

“Twenty dollars seems extravagant at this point for lunch,” she said.

And before you start, no one mentioned anything about anything being easy. But that doesn’t mean everything has to be intentionally more difficult to understand, i.e., predicated on a growing economy and not spooking ‘investor confidence.’ JFC… what does any of that even mean? Please subscribe to my newsletter, Which Word to Italicize:

How people spend their money is shifting as the economy slows and inflation pushes prices higher everywhere including gas stations, grocery stores and luxury retail shops. The housing market, for example, is already feeling the pinch. Other industries have long been considered recession proof and may even be enjoying a bump as people start going out again after hunkering down during the pandemic.

Still, shoppers everywhere are feeling pressured. In May, an inflation metric that tracks prices on a wide range of goods and services jumped 8.6% from a year ago, the biggest jump since 1981. Consumers’ optimism about their finances and the overall economy sentiment fell to 50.2% in June, its lowest recorded level, according to the University of Michigan’s monthly index.

That’s from the same article and I don’t mean to single out CNBC. Just listen Marketplace or any business/economic news and the dissonance is a cacophony (Ed. ?). Unemployment is bad, but a tight labor market rattles the Dow. Prices at the pump have drivers worried about filling up, but what’s the real price of fuel? Hint: Europeans already know. Sure there’s a macro-micro disconnect. But the larger disconnect is the one we keep shoring up: individual actions of millions, propped up and egged on by the corporate and government altars to the status quo, heating up the planet beyond what it can support.

Whether or not we need more reminders of the need to change how we live, more are on the way.

Image: Merry-Go-Round Photograph by Jurgen Lorenzen

New Unscripted: Expedition to Antarctica

The new episode of my interview podcast Unscripted focuses on Patricia Yager, professor of marine sciences, and her recent experience co-leading a research expedition to the Amundsen Sea Polynya in western Antarctica.

While many research projects on the International Thwaites Glacier Collaboration were focused on sea level rise and the physical processes related to the melting, Yager served as co-chief scientist and lead P.I. on the project Artemis, designed to better understand the impact of melting glaciers and ice shelves on the coastal ocean’s biological productivity.

“The glaciers are not melting because the air temperature is warm,” Yager said in the interview. “The glaciers are melting because the ocean is warm.”

Listen to the interview on iTunes, Spotify, or wherever you get your podcasts and subscribe to Unscripted.

Defeating the porpoises, an ongoing series

At the intersection of global climate issues and all things monetary, well, it can be difficult to decide which word to italicize anymore:

The U.S.-based crypto exchange Kraken has announced that, despite the layoffs and hiring freezes among its competitors in the ongoing “crypto winter”, they intend to keep hiring aggressively. They also took the opportunity to announce that they “believe bear markets are fantastic at weeding out the applicants chasing hype from the true believers in our mission”, and that they had “taken this opportunity to align our internal culture around a set of shared values”. They also make it clear that anyone who disagree with the changes can GTFO: “In commitment to these values, we also expanded our permanent benefits program to make moving on a bit easier for anyone who feels it’s time for the next chapter in their career.”

That’s from Molly White’s terrific and wonderfully-named website and she’s is no danger of running out of content anytime soon. Because lots of everyones out there think all the other everyones are the suckers, or they’re not sure who is. But whatever, the sucker rule still applies.

And at the same time, it’s more than that. When the last necessary thing was another distraction from the burning and belching, from the fanning, the rising and the storming, everyones are out here convincing themselves to believe in yet another free ride. Yes, it would be great if blockchain ‘tech’ guaranteed that you could trust this invisible money (cf. the italics dilemma). But that’s not how people work. What people do is find the sucker, and adjust for scale, malheureusement.

Image via porpoisesdotorg, natch.

All of a piece

photo of freize

In an era/moment/day when fascism is ascendant, it’s a great time to declare which side you are on.

And while that may seem like an obvious statement of alliance with open society, pro-democracy forces, it’s just as important to note those who continue to declare their allegiance to authoritarian white nationalism:

Richard Donoghue, who took over as acting deputy attorney general after Barr left his job in December 2020, also testified that DOJ officials went so far as to tell the White House that Trump’s efforts to get the Department of Justice to parrot his fraud claims were an attempt to outright corrupt the election.

“I recall towards the end saying, ‘What you’re proposing is nothing less than the United States Justice Department meddling in the outcome of the presidential election,’ ” Donoghue testified.

In spite of the day’s dramatic revelations, it seems likely that House Republicans and the rest of the party will continue to rally around the former president, and even Democratic representatives seemed to acknowledge as much. “It’s a reminder that there was a period of time in the days and weeks after Jan. 6 when everybody who now defends the president, and embraces the lie, understood exactly what had happened and in some cases was apparently ashamed of their role,” Rep. Tom Malinowski said. “It was striking to hear—not surprising, but striking—to hear the former president’s attorney general say, finally, that it was all ‘bullshit.’ ”

Believe people when they tell you who they are, who repeatedly remind you that they don’t care about fair elections, are happy to attack the weak and oppressed, who believe that ‘freedom’ refers to theirs and not yours. There is no light between polite Republican voters and outright fascists, and they are not sorry about that in any way, shape, or form. If they were, we would know by now. Instead they remind us again and again: they are one and the same.

We also should note the enormous cowardice of all these so-called patriots who stormed the capitol – as well as those who egged them on and continue to do so – but when they fail and are called out on it, refuse to stand by their BS principles. Plead innocence, hide and refuse to take responsibility for their own dangerous behavior when faced with any consequences whatsoever. Honor? Dignity? Integrity? Forget it, with these people.

Image: Author photo of ’30’s era public art frieze in the fascist style, Rome.

Shop ’til you stop

Insightful NYRB review of two new books about life in a slower economy. It’s NOT that things will necessarily be so much worse when we are spending less, driving less, burning less – they won’t be worse. It’s just the transition to consuming less itself we consider to be so painful as to be unthinkable. We’re such babies:

Generations of economists, meanwhile, have insisted on the goodness of economic growth and warned that any significant drop in consumption would vaporize jobs, leaving millions if not billions of people without a means of supporting themselves or their families. (Margaret Thatcher’s well-known phrase “There is no alternative,” sometimes shortened to TINA, refers to the assumed necessity of perpetual growth.) The resulting dilemma, as MacKinnon puts it, is that “we must stop shopping, and yet we can’t stop shopping.”

Rather than dismiss this conundrum, MacKinnon seeks to complicate it. Whose jobs would be lost, and for how long? How could societies and their economies adapt, and what could they gain in the process? How would other species react to quieter, less polluted habitats? To begin to answer these questions, he proposes a thought experiment to economists, entrepreneurs, and others: Say that on a single day not long from now, consumer spending falls 25 percent. What next? Predictions in hand, MacKinnon seeks real-world equivalents, finding disparate places and times where conditions similar to those of his thought experiment have already come to pass.

This approach, which might be called speculative journalism, was memorably employed by Alan Weisman in his 2008 book The World Without Us, which MacKinnon credits in his acknowledgments. To conjure a planet precipitously vacated by humans, Weisman interviewed architects, engineers, ecologists, and others qualified to forecast the fates of abandoned cities, farms, and forests. He then visited deliberately unpeopled places, such as the Korean Demilitarized Zone and the United Nations–controlled buffer zone between the Turkish and Greek sides of the island of Cyprus. In a kind of reverse archaeology, both Weisman and MacKinnon assemble shards of past and present into plausible futures. The most obvious difference between their thought experiments is that MacKinnon’s became all too concrete: when he was midway through his research, pandemic shutdowns upended the world economy, and the effects of his imagined fall in spending were inflicted on real people in real time.

The Day the World Stops Shopping is neither an economic treatise nor a detailed policy proposal, though it draws on both as sources. It is an enjoyably idiosyncratic tour led by a perceptive, empathetic guide. It assumes that any significant, lasting reduction in consumption will result from accidents and innovations, brought about not by individual households but by loosely coordinated communities, nations, and regions. In this sense, it is both more realistic and more persuasive than any technical argument, for it makes it possible to imagine not only one alternative to endless growth but many.

Lots of important points here, brought us by people who are smarter.

If it woes, it leads

We’re backing into the climate future/present with woes leading the way. It’s the perfect media framing and supports the status quo – yes everything is awful. We’ve tried nothing and we’re all out of ideas, let’s see how we can keep cheap gas going a little bit longer. It’s this way, in part, because ALL of the progress is boring. For instance, wide bandgap:

Silicon and silicon carbide are useful in electronics because they are semiconductors: They can switch between being electrical conductors, as metals are, and insulators, as most plastics are. This ability makes semiconductors the key materials in transistors — the fundamental building blocks of modern electronics.

Silicon carbide differs from silicon in that it has a wide bandgap, meaning that it requires more energy to switch between the two states. Wide bandgap, or WBG, semiconductors are advantageous in power electronics because they can move more power more efficiently.

Silicon carbide is the senior citizen of WBGs, having been under development as a transistor material for decades. In that time, engineers have started using younger upstart WBG materials, like gallium nitride, or GaN. In the 1980s, researchers used gallium nitride to create the world’s first bright blue LEDs. Blue light comprises high-energy photons; gallium nitride, with its wide bandgap, was the first semiconductor that could practically produce photons with the sufficient energy. In 2014, three scientists were awarded the Nobel Prize in Physics for that innovation, which became ubiquitous in devices like TV screens and light bulbs.

Lately, researchers have started using gallium nitride to improve power electronics. The material reached commercial fruition over the past few years in adapters for charging phones and computers. These adapters are smaller, lighter, faster-charging and more efficient than traditional ones that use silicon transistors.

“A typical charger that you buy for your computer is 90 percent efficient,” said Jim Witham, chief executive of GaN Systems, a Canadian company that supplied the transistors in Apple’s gallium-nitride laptop chargers, which were released last fall. “Gallium nitride is 98 percent efficient. You can cut power losses by four times.”

Keep going, science.

Moving on from Cheap and Plenty

Waste – where does it all come from, where does it all go? In a closed system (Earth), a little of it goes everywhere and all of it goes nowhere. We ‘deal’ with waste by putting it out of view, all the while we make more stuff, want more stuff, buy more stuff, sell more stuff, invent fake stuff to buy and sell, even if it’s a ponzi scheme [Narrator: It’s a ponzi scheme].

Now comes the lament that the good days of cheap goods and easy access to them is coming to an end. It is but a scare tactic. And from the perspective of waste – and not only that – were those days so good? The ethos, such as it is, of disposable _____ (goods, culture, food) creates a self-fulfilling emptiness. We could argue that cultivation of these seeds of despair have bloomed and blossomed, and as we feast upon them, they only serve to further famish. Why? What’s the mystery? From wanting nothing issues the inability to figure out what is wanted, what is meaning, what’s it’s all for. As the noted philosopher Jethro Bodine reminds us, “naught from naught equals naught.”

We shudder at the very thought of empty shelves or infringements on long commutes, when fewer shelves and shorter drives represent a signal turn for the better. But gladly to rush into the arms of division and destruction only to maintain the misery fix, we’re only the worse and will fight to keep it.

These failings are ours, but within them lay great tools of rebuilding – not more new things, but better new selves. All of our many advantages were not achieved just to make money off of money, but to make music – whether that means actual notes and tones to you or not – to enjoy and enjoin.

How to channel the urge to exploit? Realize every instance of the act reserves a double portion for the actor and we won’t need to worry with saving the Earth (closed system) when we get serious about saving ourselves.

Two good shoes and all.

Stare decisis

The previous three Supreme Court Justice nominees – Gorsuch, Kavanaugh, and Barret – knowingly lied in their confirmation hearings.

From an archived Artforum preview:

Through October 15, New York’s Museum of Sex hosts Barcelona-based artist Laia Abril’s exhibition “On Abortion: And the Repercussions of Lack of Access.” One chapter of her larger project “A History of Misogyny,” “On Abortion” chronicles obstacles to reproductive choice in across the world. Abril employs a documentary mode common to conceptual art, drawing on the testimonies of individuals who were denied care. She pairs black-and-white photographic portraits of her subjects with typed statements and evidentiary images of their struggles, such as maps of their travels to neighboring countries for health care and photos of shadowy waiting rooms and plum pits (as one woman describes the size of her fetus). The subjects include Françoise, a septuagenarian Frenchwoman who performed five thousand clandestine abortions from the ’70s to the ’90s, to three Chinese women—identified by their initials ZWF, FJ, and GYL—whose abortions and sterilizations were forced upon them. Abril also uses the photographic grid format to depict the desperate measures people have taken to end pregnancy throughout history, from herbal mixtures to the coat hanger method. Alongside Abril’s work, curator Lissa Rivera exhibits birth-control artifacts from the Museum of Sex holdings and gynecological tools from the Burns Archive, a private collection in Manhattan devoted to medical photography and objects from the nineteenth and early twentieth centuries. The sober nature of Abril’s exhibition sharply contrasts with the spectacular format of the MoSex shows directly above and below hers—on webcam models and fin de siècle stag films, respectively. Still, on a recent busy Friday night at the museum, “On Abortion” invited quiet contemplation from a busy crowd.

In January and February, the two-part show “Abortion Is Normal” was mounted at the downtown galleries Eva Presenhuber and Arsenal Contemporary Art. Conceived as a fundraiser for Downtown for Democracy, a liberal super PAC, the show donated its proceeds to Planned Parenthood and efforts to support voter education on reproductive rights. Curated by Project for Empty Space Newark cofounders Rebecca Pauline Jampol and Jasmine Wahi and co-organized by Marilyn Minter, Gina Nanni, Laurie Simmons, and Sandy Tait, the show brought together over fifty diverse artists—several with blue-chip appeal, like Barbara Kruger and Cindy Sherman. While the title polemically defined reproductive rights as normal healthcare, the works on view approached bodily and sexual autonomy in various ways, oscillating in attitude between anger, celebration, and grief. Carrie Mae Weems’s photograph The Broken, See Duchamp, 2012–16, depicts the artist in a spread-eagled posture reminiscent of Etant donnés; Hayv Kahraman’s paintings of fair-skinned, dark-haired women, punctuated with woven bits of canvas, suggest the fracturing and mending potentials of art in the wake of traumas related to sexual violation and migration. Jane Kaplowitz’s painted portraits of Ruth Bader Ginsburg lionize the Supreme Court Justice, while Jon Kessler’s multimedia collage Birmingham, 2019, mourns the victims of the 1998 bombing of an Alabama abortion clinic by the terrorist Eric Rudolph.

Image: Hayv Kahraman, Barricade 1, 2018, oil on linen, 50 x 78 x 3”.

Wait and see

Sort of a corollary of f*ck around and find out. But.. good to see Biden getting serious about supporting Ukraine. That’s a big number and it needs to be. On verra, as they say.

The ‘let’s see if this sorts itself out’ attitude from some western countries – albeit, right now fewer by the day – mirrors the general tendency of the same countries to do very little about climate change. All the while:

Rising seas have long been a threat to coastal cities. New research suggests that cities—particularly in Asia—are sinking as well, compounding the risks of frequent and severe flooding.

In Karachi, land is sinking five times as fast as the sea level is rising, according to the study published this month in Geophysical Research Letters. Manila and Chittagong, Bangladesh’s second-largest city, are sinking at 10 times the rate of the rising waters.

In China’s Tianjin, a coastal city about 150 kilometers southeast of Beijing, the ground is giving way at 20 times that speed.

In those four cities alone, the phenomenon could affect roughly 59 million residents.

The study, which used satellite data to analyze 99 cities around the world from 2015 to 2020, points to groundwater extraction related to rapid urbanization and population growth, oil and gas production, and construction.

The next life you save just might be your own.