Along with promoting some recent work, a new project is making clips from my Unscripted interviews available on social media. One of those we’ll get to eventually is with journalist and DJ Ntone Edjabe, founder and editor of Chimurenga, an innovative platform for free ideas and political reflection by Africans about Africa.
And this is one of the rare, correct uses of ‘innovative’ as an adjective. in newspaper form, the issues have a little of everything – poetry, photography, plays, terrific writing of all kinds and of course, news. However, and I only started to understand this much later and not especially because of the times we are a’living in, Chimurenga’s journalism often presents news stories long after actual events. That is, rather than so-called breaking news – which honestly leaves us mostly flummoxed and discombobulated by its sheer volume (not to speak of those who work the sheer volume for their purposes, ahem) – Chimurenga presents news much later. Maybe more information has come available, maybe people still don’t understand a thing that happened… does this sound familiar?
It really changes the idea of news into information for action and understanding.
A sample of the excellent writing, in an article by saxophonist and composer Shabaka Hutchings:
In a lecture he gave on Afrofuturism, Kodwo Eshun used a phrase which resonated with me – “encoded language”. I believe there is an alternative vernacular present in both hip-hop and jazz which relates the two musics intrinsically, and which exists outside the orthodox analysis. This idea that music has layers of encoded information, passed down through generations, without explicit acknowledgement even from the participants, fascinates me. It speaks to the question of why certain elements of African musical stylings are propagated by the diaspora. Are there more stories within musical elements which survived the middle passage than we choose to admit? Are we in a position to grasp the meanings of these tales? Maybe the formulation of new myths is a valid way of approaching these questions, if only for the creative stimulus imagined answers can inspire.
Let us then try to explore the worlds of both jazz and hip-hop as vessels for an informational network outside the parameters of pre-packaged discourse. What happens when you take away the notion of harmonic movement in jazz as being central to its intrinsic meaning or the message the improvising soloist has to offer? What happens when you take the focus away from lyricism in hip-hop?
Yes, we could learn a thing or three – and wow do we need to. There’s so much more to all of this – and take that however you want. Chimurenga is supported by donations, if you are able. My interview with Edjabe is here.
Image: an issue of Chimurenga I keep in my office.
