Grey Lady Blushes, Again

pointsourcepollutionThis will not get enough attention, but the source pollution problem at the New York Times, as Cholly Pierce so precisely put it, is a devious issue of national proportions:

As is now obvious, somebody fed the paper bad information on San Bernardino murderess Tashfeen Malik’s social media habits. It was said that she was posting jihadist screeds on Facebook. The Times hyped the scoop by stating pretty clearly that the government—and the administration running it—slipped up. It was the inspiration for endless bloviating about how “political correctness is killing people” at Tuesday night’s Republican debate. Then comes FBI director James Comey to say that, no, there were no public Facebook posts that the government missed because there weren’t any at all.

More than a few people have noted that two of the three reporters who were fed this story also had their bylines on the notorious (and thoroughly debunked) piece about how the FBI had launched a “criminal inquiry” into Hillary Rodham Clinton’s alleged mishandling of classified materials in her e-mails.

Of the Clinton emails non-story, she wasn’t a target, it wasn’t a criminal referral and the emails weren’t classified. Other than that, great story! And the thing is, even pointing out this makes one sound like an HRC apologist, but nevermind.

The broader issue is, this is the problem if we’re only going to allow ourselves one national paper. The purchase of the major Las Vegas daily by its hometown casino magnate-cum-Republican kingmaker is further symptomatic of this self-replicating double-bind. The news as business, scandal as profit generator, reporters trained in the finer arts of the same and quaint rules of journalism secure under glass at the few J-schools left all equal an untenable republic. Remember: No Checks = No Balances.

 

Food and Where It Comes From, part MCMXIV

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Great dinner out last night with Mrs. G, and probably a nice lunch in a little while – two examples of the luxury amidst which we find ourselves. Just order, buy, what looks good? How our food choices got there practically never enters into our thinking, but the Los Angeles Times published some extraordinary journalism earlier this week, an investigation of the Mexican farms that send us all the delightful produce we choose or ignore – all while choosing to ignore something much greater and more fundamentally wrong with this scenario:

American consumers get all the salsa, squash and melons they can eat at affordable prices. And top U.S. brands — Wal-Mart, Whole Foods, Subway and Safeway, among many others — profit from produce they have come to depend on.

These corporations say their Mexican suppliers have committed to decent treatment and living conditions for workers.

But a Los Angeles Times investigation found that for thousands of farm laborers south of the border, the export boom is a story of exploitation and extreme hardship.

The Times found:

  • Many farm laborers are essentially trapped for months at a time in rat-infested camps, often without beds and sometimes without functioning toilets or a reliable water supply.
  • Some camp bosses illegally withhold wages to prevent workers from leaving during peak harvest periods.
  • Laborers often go deep in debt paying inflated prices for necessities at company stores. Some are reduced to scavenging for food when their credit is cut off. It’s common for laborers to head home penniless at the end of a harvest.
  • Those who seek to escape their debts and miserable living conditions have to contend with guards, barbed-wire fences and sometimes threats of violence from camp supervisors.
  • Major U.S. companies have done little to enforce social responsibility guidelines that call for basic worker protections such as clean housing and fair pay practices.

Doing anything differently begins with just knowing. So, just know. There are real people involved in the growing and harvesting of our bounty.

via LGM.

Diverse views on the news

What does it mean when everyone delivering the news and discussing it on the electronic television is the same hue? Same gender? Are we looking too deep when notice this? Are we ignoring the obvious when we don’t? Media Matters has some interesting charts on this, a grand total of zero of which will shock you:

White Guests Hosted Most Often On Cable News. Fox News had the largest proportion of white guests — 83 percent. African-Americans were the largest non-white group on all networks, representing 19 percent, 10 percent, and 5 percent of guests on MSNBC, Fox, and CNN, respectively.

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As a completely white dude with a TV show, I have responsibility as part of the problem here. Why does this even matter? We have a guest this week (another white dude) who talks about a concept called cross-cultural competency – how comfortable we are interacting with people who are different from us. When it comes to integration in public schools, interested parties aka major corporations are coming down on the side of this sort of competency as a good in a society like ours. Now there are a zillions reasons why that is, but the subject itself sheds some new light on how we see ourselves – and others – and how that prism shapes our views about the world.

And if you set that aside for an instant and think about how you get the news and who decides what is news, you’ve got all kinds of reasons to be suspect of this heavily skewed arrangement. The situation in these charts breeds its reality in our society, one in which existing fears and biases must be constantly and always re-enforced, even before any ‘news’ stories get presented. When you contextualize everything first in how it fits the interest of one race or ethnic group, of course you’ll have trouble getting an accurate sense of anything. And we have plenty enough of that already.

Star of a new advertising campaign

So… innocently checking the NYT media decoder blog and the top two three of the top four stories are about the advertaiment process unfolding before our eyes. They’re not about this per se, because that would maybe be like a story on the circumscribed movements of the second hand, but

Such sponsorship agreements — known as branded entertainment, content marketing and native advertising — are becoming common on Bravo, part of the NBCUniversal Cable Entertainment division of NBCUniversal. And as the channel plans its programming lineup for 2013-14 during what is called the upfront season, more sponsorships that integrate advertising into shows are planned.

and

“I am not against ads in general,” said Till Faida, a managing director of the project, “but I am just annoyed by the current state of ads. I have worked in online marketing — I just thought ads could be so much better.”

While still receiving donations from users, the project now also negotiates deals with large Web sites that run unobtrusive ads to be “white-listed” and thus not automatically blocked by the program. (A recent deal, whose financial terms were not disclosed, granted such status to the social news site Reddit.)

add to that the recent stories about buzzfeed and heed: much like people making money simply off of money, the mining of what ‘content providers’ think you want to read or will click on and the re-packaging of that as ‘news’ or ‘headlines’ or ‘things you should know’ or whatever is vastly afoot.  Think of this as a PSA and not at all news, but this phenomenon has a slow creep, just like the touting of innovation and such in  high production-value TV advertising that we get accustomed to over time but is increasing really about nothing at all.

Just remember, people write books. Be firm about what enters your noggin.

Update: Lou-weeze. Parody, we hardly knew ye.

Rendered as an Erewhon

Bob Woodward has recently come in for some well-deserved flogging, but even the best of it is really just gorging at the table that was impeccably set by the great Joan Didion in the NYRB some years ago. Check this out:

The author himself disclaims “the perspective of history.” His preferred approach has been one in which “issues could be examined before the possible outcome or meaning was at all clear or the possible consequences were weighed.” The refusal to consider meaning or outcome or consequence has, as a way of writing a book, a certain Zen purity, but tends toward a process in which no research method is so commonplace as to go unexplained (“The record will show how I was able to gain information from records or interviews…. I could then talk with other sources and return to most of them again and again as necessary”), no product of that research so predictable as to go unrecorded.

The world rendered is an Erewhon in which not only inductive reasoning but ordinary reliance on context clues appear to have vanished. Any reader who wonders what Vice-President Gore thinks about Whitewater can turn to page 418 of The Choice and find that he believes the matter “small and unfair,” but has sometimes been concerned that “the Republicans and the scandal machinery in Washington” could keep it front and center. Any reader unwilling to hazard a guess about what Dick Morris’s polling data told him about Medicare can turn to page 235 of The Choice and find that “voters liked Medicare, trusted it and felt it was the one federal program that worked.”

This tabula rasa typing requires rather persistent attention on the part of the reader, since its very presence on the page tends to an impression that significant and heretofore undisclosed information must have just been revealed, by a reporter who left no stone unturned to obtain it. The weekly lunch shared by the President and Vice-President Gore, we learn in The Choice, “sometimes did not start until 3 P.M. because of other business.” The President, “who had a notorious appetite, tried to eat lighter food.” The reader attuned to the conventions of narrative might be led by the presentation of these quotidian details into thinking that a dramatic moment is about to occur, but the crux of the four-page prologue having to do with the weekly lunches turns out to be this: the President, according to Mr. Woodward, “thought a lot of the criticism he received was unfair.” The Vice-President, he reveals, “had some advice. Clinton always had found excess reserve within himself. He would just have to find more, Gore said.”

What Mr. Woodward chooses to leave unrecorded, or what he apparently does not think to elicit, is in many ways more instructive than what he commits to paper. “The accounts I have compiled may, at times, be more comprehensive than what a future historian, who has to rely on a single memo, letter, or recollection of what happened, might be able to piece together,” he noted in the introduction to The Agenda, an account of certain events in the first years of the Clinton administration in which he endeavored, to cryogenic effect, “to give every key participant in these events an opportunity to offer his or her recollections and views.” The “future historian” who might be interested in piecing together the details of how the Clinton administration arrived at its program for health-care reform, however, will find, despite a promising page of index references, that none of the key participants interviewed for The Agenda apparently thought to discuss what might have seemed the central curiosity in that process, which was by what political miscalculation a plan initially meant to remove third-party profit from the health-care equation (or to “take on the insurance industry,” as Putting People First, the manifesto of the 1992 Clinton-Gore campaign, had phrased it) would become one distrusted by large numbers of Americans precisely because it seemed to enlarge and further entrench the role of the insurance industry.

The Big Shrug

Hurrah for the rabid ferrets!

Though what feeds them and oils the treadmill that powers the cage is detailed in this Guardian piece by Carl Bernstein. Cartoon-esque media baron Rupert Murdoch really did offer to let Fox News and the WSJ become a political party for David Petraeus and it’s all on tape. Not sure what’s worse – that he thought he could do this, that they pulled the trigger and sent an emissary to make the offer, or that nobody really cares. Might be a three-way tie:

Thus in the spring of 2011 – less than 10 weeks before Murdoch’s centrality to the hacking and politician-buying scandal enveloping his British newspapers was definitively revealed – Fox News’ inventor and president, Roger Ailes, dispatched an emissary to Afghanistan to urge Petraeus to turn down President Obama’s expected offer to become CIA director and, instead, run for the Republican nomination for president, with promises of being bankrolled by Murdoch. Ailes himself would resign as president of Fox News and run the campaign, according to the conversation between Petraeus and the emissary, K T McFarland, a Fox News on-air defense “analyst” and former spear carrier for national security principals in three Republican administrations.

All this was revealed in a tape recording of Petraeus’s meeting with McFarland obtained by Bob Woodward, whose account of their discussion, accompanied online by audio of the tape, was published in the Washington Post – distressingly, in its style section, and not on page one, where it belonged – and, under the style logo, online on December 3.

Indeed, almost as dismaying as Ailes’ and Murdoch’s disdain for an independent and truly free and honest press, and as remarkable as the obsequious eagerness of their messenger to convey their extraordinary presidential draft and promise of on-air Fox support to Petraeus, has been the ho-hum response to the story by the American press and the country’s political establishment, whether out of fear of Murdoch, Ailes and Fox – or, perhaps, lack of surprise at Murdoch’s, Ailes’ and Fox’s contempt for decent journalistic values or a transparent electoral process.

The tone of the media’s reaction was set from the beginning by the Post’s own tin-eared treatment of this huge story: relegating it, like any other juicy tidbit of inside-the-beltway media gossip, to the section of the newspaper and its website that focuses on entertainment, gossip, cultural and personality-driven news, instead of the front page.

“Bob had a great scoop, a buzzy media story that made it perfect for Style. It didn’t have the broader import that would justify A1,” Liz Spayd, the Post’s managing editor, told Politico when asked why the story appeared in the style section.

Themes on a Variation

Apologies – fun but very busy day yesterday. Two good things not to miss. Okay, good is not the word.

Sandy was devastating to scientific research on a scale that we probably can’t imagine:

Flooding and blackouts caused by super storm Sandy have had a devastating impact on scores of scientists in the Big Apple, with one research center losing thousands of lab mice as well as precious reagents—a situation that could set some researchers back years.

At New York University’s Smilow Research Center, on the eastern edge of Manhattan, which lost power shortly after Sandy struck on Monday night, hundreds of biological samples were destroyed as freezers thawed and refrigerators warmed. And as animal care facilities in the basement flooded, hundreds of mice and rats were killed—animals that had been painstakingly genetically engineered for use as disease models.

And, some people aren’t going to take it anymore, and we need more of them. Mainstream media types have actually no constituency beyond their own sake and that of their corporate super-structures that exist because of the 24-7 need for news vacuum that is their own creation. This has to change:

And I told them that I was there, in that room, because the national conversation we’re having about this situation, this emergency, is utterly inadequate —or, really, nonexistent. And I looked Peter in the eye, and told him that I’m sorry, but that’s completely unacceptable to me. If we can’t speak honestly about this crisis — if we can’t lay it on the line — then how can we look at ourselves in the mirror?

Since I had requested the meeting, I told Peter that I hoped to frame the discussion around two points:

First: We need to see a much greater sense of urgency in the media’s coverage of climate change, including in the Globe‘s editorial and opinion pages. This is more than an environmental crisis: it’s an existential threat, and it should be treated like one, without fear of sounding alarmist, rather than covered as just another special interest, something only environmentalists care about. And it should be treated as a central issue in this election, regardless of whether the candidates or the political media are talking about it.

People Staring at Computers

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Interesting confluence of media, technology and art in this Wired article:

In “Thoughts on total openness of information,” Dan Paluska brainstorms about the possibility of posting all your “personal” information online, asking what the repercussions would be. What if people could see every bank transaction you made? Or read every email you wrote? I started answering these questions for myself with “keytweeter,” a yearlong performance starting in June 2009. Keytweeter was a custom keylogger that tweeted every 140 characters I typed. Over that year, I learned a lot about myself and what “privacy” means. I learned that every conversation belongs to all the parties involved, so I put disclaimers in my emails. I learned that I was more honest, with myself and with others, when I knew everyone could see what I was saying.

After keytweeter, I started working on a project with Wafaa Bilal called “3rdi.” He told me he wanted to implant a camera on the back of his head that would upload a geotagged image to the internet every minute, as an exploration of “photography without a photographer.” So I worked with Wafaa to create a system that made this possible. As a professor at NYU, he had some trouble while at school due to privacy concerns. They came to a compromise where he would keep the camera on, but covered. This performance also lasted a year, over the course of 2011.

After working with text for “keytweeter,” I started exploring visual equivalents. One experiment, “scrapscreen,” made a scrapbook from your screen over the course of a day: every mouse movement “tore away” that part of the screen and saved it to a continually overlapping image. Another experiment, called “Important Things,” captures every click as a 32×32 pixel icon in a massive grid.

Later that year I worked with interactive artist Theo Watson on an extension of “Important Things,” called “Happy Things,” which took a screenshot every time you smiled, and uploaded it to the web. We got pictures from all around the world, with people smiling at everything, from cat memes to the Wikipedia article for Nicholas Cage.

Sometimes this kind of work is associated with “human-computer interaction,” but this term makes it sound like we’re interacting with computers, when in fact, most of the time, we’re interacting with each other. I like to think of it as “computer-mediated interaction.”

In mid-May, 2011, I took a timelapse using my laptop’s webcam to get a feeling for how I looked at the computer. After a few days of recording, I watched the video.

The [Changing] Weather Channel

That’s a clunky title, but I wonder whether at some point just talking about the weather won’t simply be sufficient to cover all that’s going on. The Weather Channel seems to be catching on – that there’s more going on.

The March heat wave finally caught the attention of major television news outlets. In recent weeks, ABC and NBC have run stories linking the “unprecedented” heat wave to climate change. They join PBS, which has been the only network consistently drawing the connection between extreme weather and greenhouse gases in the atmosphere.

The Weather Channel has also picked up on the story, featuring a number of stories about the influence of human activity on extreme weather. One of the best segments featured meteorologist Stu Ostro, who explained why “data and science, not politics” changed him from a skeptic to someone very concerned about the problem.

How long before they start to be derided as biased? 3…2…1

Mahagonny

In my continuing quest to put together a grand unified theory of everything, I was reading part of the introductory essay in Robert Hughes’ Nothing if Not Critical, The Decline of the City of Mahagonny. Here, he talking about the nefarious influence of mass media (on humans) and you can easily extrapolate this onto our difficulties in moving past now-obsolete notions of growth and expansion. To wit:

This has not been a matter of choice, let alone fault. The power of television goes beyond anything the fine arts have ever wanted or achieved. Nothing like this Niagara of visual gabble had even been imagined a hundred years ago. American network television drains the world of meaning; it makes reality dull, slow and avoidable. It is our “floating world.” It tends to abort the imagination by leaving kids nothing to imagine: every hero and demon is there, raucously explicit, precut – a world of stereotypes, too authoritative for imagination to develop or change. No wonder it has predisposed American artists toward similar stereotypes. It is stupidly compelling, in a way that painting and sculpture, even in their worst moments of propaganda or sentimentality, are not.

Always difficult to figure out what’s wrong with one thing without stumbling onto what’s wrong with another.