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No Insurance Office

On a day when the Obama Administration decided to turn people who want to breath clean air into “enviros,” whatever that means, it was difficult to find something appropriate and fitting of the moment. Then, bingo.

Honore de Balzac, Bureaucracy, Chapter 5: The Machine in Motion

At this moment the division of Monsieur de la Billardiere was in a state of unusual excitement, resulting very naturally from the event which was about to happen; for heads of divisions do not die every day, and there is no insurance office where the chances of life and death are calculated with more sagacity than in a government bureau. Self-interest stifles all compassion, as it does in children, but the government service adds hypocrisy to boot.

The clerks of the bureau Baudoyer arrived at eight o’clock in the morning, whereas those of the bureau Rabourdin seldom appeared till nine,–a circumstance which did not prevent the work in the latter office from being more rapidly dispatched than that of the former. Dutocq had important reasons for coming early on this particular morning. The previous evening he had furtively entered the study where Sebastien was at work, and had seen him copying some papers for Rabourdin; he concealed himself until he saw Sebastien leave the premises without taking any papers away with him. Certain, therefore, of finding the rather voluminous memorandum which he had seen, together with its copy, in some corner of the study, he searched through the boxes one after another until he finally came upon the fatal list. He carried it in hot haste to an autograph-printing house, where he obtained two pressed copies of the memorandum, showing, of course, Rabourdin’s own writing. Anxious not to arouse suspicion, he had gone very early to the office and replaced both the memorandum and Sebastien’s copy in the box from which he had taken them. Sebastien, who was kept up till after midnight at Madame Rabourdin’s party, was, in spite of his desire to get to the office early, preceded by the spirit of hatred. Hatred lived in the rue Saint-Louis-Saint-Honore, whereas love and devotion lived far-off in the rue du Roi-Dore in the Marais. This slight delay was destined to affect Rabourdin’s whole career.

Sebastien opened his box eagerly, found the memorandum and his own unfinished copy all in order, and locked them at once into the desk as Rabourdin had directed. The mornings are dark in these offices towards the end of December, sometimes indeed the lamps are lit till after ten o’clock; consequently Sebastien did not happen to notice the pressure of the copying-machine upon the paper. But when, about half-past nine o’clock, Rabourdin looked at his memorandum he saw at once the effects of the copying process, and all the more readily because he was then considering whether these autographic presses could not be made to do the work of copying clerks.

“Did any one get to the office before you?” he asked.

“Yes,” replied Sebastien,–“Monsieur Dutocq.”

“Ah! well, he was punctual. Send Antoine to me.”

Too noble to distress Sebastien uselessly by blaming him for a misfortune now beyond remedy, Rabourdin said no more. Antoine came. Rabourdin asked if any clerk had remained at the office after four o’clock the previous evening. The man replied that Monsieur Dutocq had worked there later than Monsieur de la Roche, who was usually the last to leave. Rabourdin dismissed him with a nod, and resumed the thread of his reflections.

“Twice I have prevented his dismissal,” he said to himself, “and this is my reward.”

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Longview, Taking in the

An intense labor battle is happening in Longview, Washington, but it is not news so pay no attention.

One of the most determined local union struggles in recent times is unfolding on the waterfront at the Port of Longview. The struggle pits members and supporters of the International Longshore and Warehouse Union (ILWU) against EGT, a multinational consortium that built a $200 million grain terminal in Longview, largely with nonunion, out-of-town labor, and now seeks to operate it without employing ILWU members, in violation of its lease.

On July 11, up to 100 members and supporters of Longview’s 202-member ILWU Local 21 were arrested after demonstrators knocked down a chainlink fence and entered the terminal; arrestees included the presidents of ILWU locals in Vancouver and Portland. Then, after midnight on July 14, as many as 600 demonstrators gathered, and about 200 occupied train tracks to block a mile-long Burlington Northern Santa Fe train from delivering grain to the terminal. That prompted the railroad to say it would suspend deliveries while the dispute continued.

ILWU’s cause appears to have widespread support in Longview, a town of 37,000 with an economy centered on manufacturing, forest products, and the port. An initial print run of 800 support placards ran out in three or four days, said Local 21 President Dan Coffman; more are on the way. As many as 250 local businesses are displaying the signs, which read: “We Support the ILWU in the fight for a decent standard of living in our community.” Hundreds more appear in yards and vehicles.

Pickets and placards are the latest front in a four-year local battle with EGT LLC, the multinational consortium; the dispute is also in federal court.

EGT, which stands for Export Grain Terminal, is a joint venture run by the giant agribusiness multinational Bunge in partnership with Japan-based ITOCHU Corporation and South Korea’s STX Pan Ocean Co. Bunge, which reported a $2.4 billion profit for 2010, has a 51 percent controlling interest in the venture.

TUIF.

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Fracticality

Too much of some things and not enough of others. Why do we lose the feel for and sight of the sensations we hold most dear? Are we misusing the words and concepts? The battle for our own personal attention spans, for example, in which to play is to lose, doesn’t do anyone much good. What do those words even mean that we allow this ‘span’ (do we need an attention suspension bridge?) to be up for grabs The degree to which we allow almost anything to pass into our heads, refusing to rule and watch over this domain as we might a plot of land where our children sleep, contributes to the loss. As well, connectivity; we’ve bought lock-and-stock the idea that we should never (much less need to) be out of the reach of electronic beeps and chirps. Then there’s the wireless scourge. Harmless and helpful on its own, though at essence and by definition opposed to any efforts at moderation. So, how do you pan out, and if we manage, how do we make sense of what see?

One place to start making sense again, this essay on the misunderstandings of art and science by James Elkins, The Drunken Conversation of Chaos and Painting

Within mathematics, there is no question of the importance of the new discoveries. The “new geometry”
knows itself to be fundamental: “Euclid,” Benoit Mandelbrot announces in The Fractal Geometry
of Nature, will be “used in this work to denote all of standard geometry.” The unexpected efflorescence
of geometry, so difficult to follow through its growing associations with physics, biology, astronomy,
geology, medicine, and economics, already has wide experimental support and applications as diverse
as the threebody problem, population dynamics, the neurobiology of hearing, and the contractions
of heart muscle. It has, in addition, serious philosophic and experimental implications for the scientific
method itself.
In this context the “new geometry” is most interesting because it knows itself to be beautiful,
though the nature and extent of that knowledge are open to question. Mandelbrot quotes an article in Science
that makes a parallel between cubism, atonal music and modern mathematics beginning with “Cantor’s
set theory and Peano’s spacefilling curves.” He sees a rococo phase in mathematics before the modern
era, followed by a visual austerity. When it comes to art, he makes a poorly articulated and unconvincing
historical and aesthetic reading of his own fractal inventions, according to which the extravagant,
ebullient forms he has visualized are “minimalist art”—a most unlikely identification. There is also an
unwillingness on Mandelbrot’s part to mix art and science: when computer printouts are to be judged aesthetically,
he gives them selfparodistic titles such as “The Computer ‘bug’ as artist, Opus 1,” thereby publishing
aesthetic results as mistakes, “bugs” in programs. Part of the meaning of such titles resides in
Mandelbrot’s mimicry of contempory painting styles; “Opus 2” is like an angular Clifford Still or Franz
Kline. He also thinks his polychromic computer printouts are “austere.” The reason is they have simple
mathematics behind them, and so his misidentification with minimalism is an example of non-visual
thinking—what a mathematician would call “analytic” rather than “synthetic” reasoning. More plausibly,
he thinks a Mies van der Rohe building is a “scalebound” throwback to “Euclid” since it has only certain
classes of forms, while—in a particularly strange juxtaposition of cultures—“a high period Beaux Arts
building is rich in fractal aspects.”

Download and the read the whole thing. On purpose.

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Bill o’ Goods

Coming due to a waning superpower near you. To the Doghouse for your elucidification:

Medicare–it provides less than half the medical expenses of its beneficiaries, the elderly and the disabled–is13% of the Federal budget. Total Medicare spending in 2009 was $484 billion. In 2009 the total interest on the National Debt attributable to military spending was $390 billion. That’s the interest we pay on all things military (including VA costs and military pensions) for having acted, since 1946, as though it were perpetually 1944.

Our ten Nimitz-class supercarriers represent a $450 billion collection of holes in the ocean in construction costs alone; they’re scheduled to be replaced by 2040 by an equal number of Gerald Ford-class hulks at twice the cost, assuming you believe 2005 estimates, which you shouldn’t. That’s construction costs. Not development, nor maintenance, nor upgrades, attendant fleet, staffing, planes, aviation fuel, or the cost someone will eventually bear to do something with the twin reactors when we don’t need ’em anymore. That’s our supercarrier Navy. No one else in the world has any. Their role is to intimidate tenth-rate military powers, since we haven’t figured out how to invade any on the ground.

Which is distinct from figuring out why we need to invade any, since that answer is either too amorphous to pin down, or too brutally self-reflective to ever see the light of newsprint.

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The Heavens Are Strange

One of my open books right now is a biography of D.H. Lawrence by Anthony Burgess, a present from Mean Joe for which I am increasingly grateful. Right after he and Freida fled Germany to Italy, Lawrence had to get down to work and make some money. The travelogue, Twilight in Italy, is one of those; his publisher came up with the cheesy title. Freida had another name for it, but anyway, this is from Chaper 4, San Gaudenzio:

In the autumn the little rosy cyclamens blossom in the shade of this west side of the lake. They are very cold and fragrant, and their scent seems to belong to Greece, to the Bacchae. They are real flowers of the past. They seem to be blossoming in the landscape of Phaedra and Helen. They bend down, they brood like little chill fires. They are little living myths that I cannot understand.

After the cyclamens the Christmas roses are in bud. It is at this season that the cacchi are ripe on the trees in the garden, whole naked trees full of lustrous, orange-yellow, paradisal fruit, gleaming against the wintry blue sky. The monthly roses still blossom frail and pink, there are still crimson and yellow roses. But the vines are bare and the lemon-houses shut. And then, mid-winter, the lowest buds of the Christmas roses appear under the hedges and rocks and by the streams. They are very lovely, these first large, cold, pure buds, like violets, like magnolias, but cold, lit up with the light from the snow.

The days go by, through the brief silence of winter, when the sunshine is so still and pure, like iced wine, and the dead leaves gleam brown, and water sounds hoarse in the ravines. It is so still and transcendent, the cypress trees poise like flames of forgotten darkness, that should have been blown out at the end of the summer. For as we have candles to light the darkness of night, so the cypresses are candles to keep the darkness aflame in the full sunshine.

Meanwhile, the Christmas roses become many. They rise from their budded, intact humbleness near the ground, they rise up, they throw up their crystal, they become handsome, they are heaps of confident, mysterious whiteness in the shadow of a rocky stream. It is almost uncanny to see them. They are the flowers of darkness, white and wonderful beyond belief.

Then their radiance becomes soiled and brown, they thaw, break, and scatter and vanish away. Already the primroses are coming out, and the almond is in bud. The winter is passing away. On the mountains the fierce snow gleams apricot gold as evening approaches, golden, apricot, but so bright that it is almost frightening. What can be so fiercely gleaming when all is shadowy? It is something inhuman and unmitigated between heaven and earth.

The heavens are strange and proud all the winter, their progress goes on without reference to the dim earth. The dawns come white and translucent, the lake is a moonstone in the dark hills, then across the lake there stretches a vein of fire, then a whole, orange, flashing track over the whiteness. There is the exquisite silent passage of the day, and then at evening the afterglow, a huge incandescence of rose, hanging above and gleaming, as if it were the presence of a host of angels in rapture. It gleams like a rapturous chorus, then passes away, and the stars appear, large and flashing.

Meanwhile, the primroses are dawning on the ground, their light is growing stronger, spreading over the banks and under the bushes. Between the olive roots the violets are out, large, white, grave violets, and less serious blue ones. And looking down the bill, among the grey smoke of olive leaves, pink puffs of smoke are rising up. It is the almond and the apricot trees, it is the Spring.

A break from this miraculous heat, at least.

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Dollar Values

A digression on dollar values, with color accents. An essay by Jed Perl on the occasion of a book on Thomas Kinkade’s painting; a review titled, appropriately enough, Bullshit Heaven. snip from p.2:

Karal Ann Marling, a professor at the University of Minnesota and a proud collector of all things Kinkade, strikes me as almost guileless, though I wouldn’t put it past her to be giving me a campy wink, too. In any event, she opens her essay by explaining with apparent delight that “the detachable flap on the remittance envelopes of no fewer than three of my credit card bills this month” offer the opportunity to buy one of Kinkade’s lighthouse lithographs for $9.95. You cannot argue with her when she declares that “it is one thing to buy a Picasso at auction in New York with all the attendant hoopla, and quite another to wallow in ‘collectibles,’ including checks, pictures sold through credit-card companies, resin figurines based on old Norman Rockwell magazine covers, and the kinds of dust-catchers collected by little old ladies who also collect cats.” What seems to have eluded Marling is the fact that for most of us a Picasso is not something to buy at an auction but something to look at in a museum or in a reproduction. And here is a big part of the problem. For many of the authors involved in this book, dollar value appears to be almost the only salient value. By this logic, a Kinkade reproduction that is specially hand colored and therefore costs more than a Picasso poster deserves the same kind of attention, if not more.

But in an art world where auction prices are more closely followed than critical opinions, why should this not be the case? At a time when Lisa Yuskavage, an artist no more or less schlocky than Thomas Kinkade, is exhibiting at the blue chip David Zwirner Gallery, which also represents the estate of an old fashioned austere modernist such as Donald Judd, the wonder may be that anybody feels any need at all to justify their interest in Kinkade’s crap. And yet I detect a note of something like belligerence in even the most unabashed of the cheerleaders in this collection, the artist and art critic Jeffrey Vallance, who exhibits his own work in cutting edge galleries in Los Angeles and New York. He opens his essay by proudly announcing that “I am writing this from my handsome Kinkade La-Z-Boy recliner”—and it is as if he were saying, “Take that, you snotty readers.”

Vallance has the distinction of having organized what he calls “the first-ever contemporary art world exhibition of the works of Thomas Kinkade,” which some might take as an elitist declaration that the exhibitions of Kinkade’s work in America’s malls do not count. But no matter. Vallance’s essay, with pithily labeled subsections, is like a ride in a clown car. His first meeting with Kinkade was in the Kinkade Chapel that was set up in the exhibition at California State University in Fullerton to showcase the artist’s religious works. Here is Vallance. “The only way I can describe the scene is that it reminded me of the legendary account of Richard Nixon and Henry Kissinger kneeling together in the Oval Office. … A Nixonian glow emanated from Thom’s countenance as he divulged his divinely inspired design for the Kinkade empire.”

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Friends, Romans

For some Friday reading on Sunday, and in honor of the independence of this great nation, I give you Senator Bernie Sanders of Vermont on the occasion of our demise:

At a time when the wealthiest people and the largest corporations in our country are doing phenomenally well and in many cases have never had it so good, while the middle class is disappearing and poverty is increasing, it is absolutely imperative that any deficit-reduction package that passes this Congress not include the horrendous cuts, the cruel cuts in programs that working people desperately need that are utilized every day by the elderly, by the sick, by our children, and by the lowest income people in our country, that the Republicans in Congress, dominated by their extreme rightwing, are demanding.

America is not about giving tax breaks to billionaires and attacking the most vulnerable people in our country. We must not allow that to happen.

In my view, the President of the United States needs to stand with the vast majority of the American people and say no to the Republican leadership and make it clear that enough is enough. No, we will not balance the budget on the backs of the most vulnerable people in this country–on our children, on our seniors and the sick. No, we will not do that. Working families in this country have already sacrificed enough in terms of lost jobs, lost wages, lost homes, lost pensions. The working families of this country are hurting right now. Enough is enough.

Read the whole 90-minute speech at the link, which he gave unyieldingly in the well the other day. Like it, friend it, do whatever it is you do to pass these things around.

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Electronic Collectivism

I haven’t finished this piece yet by Sven Birkerts in the LA Review of Books, The Room and the Elephant, but it’s a situation you can relate to. via A&LDaily.

Every so often something will break through the stimulus shield I hold up whenever I go online, which I do far too often these days, we all do, and for various reasons, one being, I’m sure, that the existence of the medium has created an unremitting low-intensity neural disquiet that we feel only the medium can allay — even though it cannot, never has. But it is an attribute of the Internet to activate in me, and maybe in all its users, a persistent sense of deferred expectancy, as if that thing that I might be looking for, that I couldn’t name but would know if I saw, were at every moment a finger tap away. That is the root of the addiction right there — and it is an addiction, sure, if only a lower-case one. To bear all this, therefore, to proof myself against the unstanchable flow of unnecessary information and peripheral sensation, I make use of this shield, which is really just an attention-averting reflex, a way of filtering almost everything away, leaving just the barest bones of whatever I happen to be looking at, and these only in case some tell-tale name or expression requires me to peer a bit more closely.

I practice this defensive, exclusionary scanning not only with the incidental flotsam I encounter — the inescapable digests of happenings in the world, celebrity divorces, killer storms, and so on — but also, more and more, with texts about subjects that ostensibly concern me. A recent case in point — I have it handy now because I finally printed it out — is an article I found online at The Awl called “Wikipedia and the Death of the Expert” by Maria Bustillos (posted on May 17, 2011). It came to me via several clicks at one of the so-called “aggregate” sites I sometimes visit to keep myself “informed.” I scan a great many articles in the course of my daily tours, but I am not avid. More often I scroll my eyes down the screen with a preemptive weariness — which is an angry and defensive posture, I agree — as if nothing truly worthy could ever be found online (I know this is not true), as if I will have conceded something to the opposition if I were to fully engage the Internet and profit from the engagement.

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Enters the Leaf

Primo Levi survived Auschwitz to write a prodigious amount of scholarship, essays and fiction before plunging to his death down the stairwell of his Turin apartment building in 1987. This is from the final section of his memoir, The Periodic Table, in which he imagines the life of a carbon atom.

Our character lies for hundreds of millions of years, bound to three atoms of oxygen and one of calcium, in the form of limestone: it already has a very long cosmic history behind it, but we shall ignore it. For it time does not exist, or exists only in the form of sluggish variations in temperature, daily or seasonal, if, for the good fortune of this tale, its position is not too far from the earth’s surface. Its existence, whose monotony cannot be thought of without horror, is a pitiless alternation of hots and colds, that is, of oscillations (always of equal frequency) a trifle more restricted and a trifle more ample: an imprisonment, for this potentially living personage, worthy of the Catholic Hell. To it, until this moment, the present tense is suited, which is that of description, rather than the past tense, which is that of narration – it is congealed in an eternal present, barely scratched by the moderate quivers of thermal agitation.

But, precisely for the good fortune of the narrator, whose story could otherwise have come to an end, the limestone rock ledge of which the atom forms a part lies on the surface. It lies within reach of man and his pickax (all honor to the pickax and its modern equivalents; they are still the most important intermediaries in the millennial dialogue between the elements and man): at any moment – which I, the narrator, decide out of pure caprice to be the year 1840 – a blow of the pickax detached it and sent it on its way to the lime kiln, plunging it into the world of things that change. It was roasted until it separated from the calcium, which remained so to speak with its feet on the ground and went to meet a less brilliant destiny, which we shall not narrate. Still firmly clinging to two of its three former oxygen companions, it issued from the chimney and took the path of the air. Its story, which once was immobile, now turned tumultuous.

It was caught by the wind, flung down on the earth, lifted ten kilometers high. It was breathed in by a falcon, descending into its precipitous lungs, but did not penetrate its rich blood and was expelled. It dissolved three times in the water of the sea, once in the water of a cascading torrent, and again was expelled. It traveled with the wind, for eight years: now high, now low, on the sea and among the clouds, over forests, deserts, and limitless expanses of ice; then it stumbled into capture and the organic adventure.

Carbon, in fact, is a singular element: it is the only element that can bind itself in long stable chains without a great expense of energy, and for life on earth (the only one we know so far) precisely long chains are required. Therefore carbon is the key element of living substance: but its promotion, its entry into the living world, is not easy and must follow an obligatory, intricate path, which has been clarified (and not yet definitively) only in recent years. If the elaboration of carbon were not a common daily occurrence, on the scale of billions of tons a week, wherever the green of a leaf appears, it would by full right deserve to be called a miracle.

The atom we are speaking of, accompanied by its two satellites, which maintained it in a gaseous state, was therefore borne by the wind along a row of vines in the year 1848. It had the good fortune to brush against a leaf, penetrate it, and be nailed there by a ray of the sun. If my language here becomes imprecise and allusive, it is not only because of my ignorance: this decisive event, this instantaneous work a tre – of the carbon dioxide, the light, and the vegetal greenery – has not yet been described in definitive terms, and perhaps it will not be for a long time to come, so different is it from the other ‘organic’ chemistry which is the cumbersome, slow, and ponderous work of man: and yet this refined, minute, and quick-witted chemistry was ‘invented’ two or three billion years ago by our silent sisters, the plants, which do not experiment and do not discuss, and whose temperature is identical to that of the environment in which they live. If to comprehend is the same as forming an image, we will never form an image of a happening whose scale is a millionth of a millimeter, whose rhythm is a millionth of a second and whose protagonists are in their essence invisible. Every verbal description must he inadequate, and one will be as good as the next, so let us settle for the following description.

Our atom of carbon enters the leaf, colliding with other innumerable (but here useless) molecules of nitrogen and oxygen. It adheres to a large and complicated molecule that activates it, and simultaneously receives the decisive message from the sky, in the flashing form of a packet of solar light: in an instant, like an insect caught by a spider, it is separated from its oxygen, combined with hydrogen and (one thinks) phosphorus, and finally inserted in a chain, whether long or short does not matter, but it is the chain of life. All this happens swiftly, in silence, at the temperature and pressure of the atmosphere, and gratis: dear colleagues, when we learn to do likewise we will be sicut Deus [like God], and we will have also solved the problem of hunger in the world.

But there is more and worse, to our shame and that of our art.