THE QUESTION

With apologies to Henri Alleg*, do self-identifying Republicans (elected and otherwise) embrace “American fascism” based on white supremacy, irrationality, ignorance, xenophobia, antisemitism, violence, and anger and dehumanization?

Those who haven’t, need to decide. It’s a pretty easy question, and for all those who have answered in the affirmative, they should be treated as such.

Recommended reading. Sartre’s introduction is important, the book itself, harrowing.

The Continuous Profile

Take him back to Tulsa, indeed.

Raise your hand if you thought the original Juneteenth date was a coincidence. Wow. No Takers.

The absurdism of this fascist performance art expresses the thin smallness of this entire four-year escapade of MAGA authoritarianism led by a needy, under-educated man-child. We can be grateful in many ways for the incurious incompetence on continual display. People joke about slogans that sounded better in the original German, but the sheer unstudied pettiness of it makes the earlier epoch seem practically elegant by comparison:

ONE HUNDRED years ago, on the early morning of March 23, 1919, a small crowd gathered in the Piazza San Sepolcro in Milan, a few blocks west of the Duomo. Many had arrived from other cities the night before, drawn to hear a charismatic young journalist, former socialist, and recent war veteran, who—with a vigor that would mark his discourses for two decades to come—duly trumpeted the ambitions of a new political movement. As a self-declared “anti-party,” Benito Mussolini’s Fasci Italiani di combattimento (Italian Combat Fasci or, simply, Fascists)1 aimed to yoke growing social unrest to an unabashed nationalism, freshly stoked by the country’s victory in World War I alongside the Entente powers (Britain, France, and Russia). Dubbed the Sansepolcristi for their presence at this fateful first meeting, the so-called Fascists of the first hour counted among their number syndicalists and ex-soldiers, even a few women and Italian Jews, as well as artists and writers such as the painters Achille Funi and Primo Conti and the Futurist poet-impresario, F.T. Marinetti.

For the preceding ten years, Marinetti’s Futurists had upended Italian culture in every imaginable domain, from painting and poetry to clothing, music, architecture, photography, and theater. A political phenomenon as much as an aesthetic crusade, Futurism lent Fascism much of its early ideological impetus: anti-Communist and anti-clerical, interventionist and irredentist, hostile to academic pedantry and cultural patrimony alike.

Substitute ‘reality TV’ for ‘Futurists’ in the above for a more accurate, recent rendering.

Image: author photo, Rome.

Brought To You By

Scienceblogs.com agrees to have a nutrition blog written by PepsiCo.

Much consternation over at the home of science bloggingScienceBlogs. The forum for the brilliant OracPharyngulaMolecule of the Day, and countless other insightful, funny and informative blogs has decided upon a bizarre new strategy in sourcing new posts. As of yesterday, the platform will host a new blog written by food giant PepsiCo, all about the company’s specialist subject of refreshing sugary drinks and their benefits for dental and dietary health.

Is nothing sacred? Of course it isn’t – nothing at all. We’re as far past that as the Gagosian Gallery on its worst day might imagine. What is a bad day for them? What is the first thing BP did when they learned about the Deepwater Horizon problem? What was their actual problem? The whole reality of human habitation, its need for sustenance and breathable air, not to mention sufficient amounts of intellectual clutter, means not the same thing for the Limited Liability Companies among us. Sure we exist on the same planet and sign all manner of agreements, in principle, on paper gleaned from that planet’s perennial woody plants. But that may be where the common dimensions begin and end. A tear in one man’s time-space continuum is but a sub-bullet point in another man’s standard operating procedure (SOP) handbook.

Pace William Faulkner, the sacred is not dead and buried, it’s not even sacred.