The green silk bomber

Tucked inside the shallowness, an essential truth about the power of commodity:

But there is more going on here, and it’s being ignored by detractors and defenders alike. The problem is not that Melania Trump wore an unsuitable, blithely out-of-touch outfit, although she did. The problem is that this administration turns every event — no matter how dire — into a kind of anesthetized luxury fashion shoot, which leads us to some disturbing political truths.

Fashion-magazine layouts have a particular feel to them. We know it well: stylized, blank, alluring in an anonymous way, suggestive of sex, but devoid of sensuality or personal emotion. The photographs draw us in, but the models don’t return our gaze. Instead, they tend to wear a kind of frozen, faraway gaze, a look that frees us to gawk unashamedly, without fear of being caught staring. Fashion models feign ignorance of the camera lens in order to signal that we are not their interlocutors, but rather voyeurs whose desires are roused only to be rechanneled toward the items for sale (clothes, jewels, handbags, etc.).

Such photos exist to cast the fetishizing spell of the commodity over us. They create, that is, a dissociative relationship with the viewer. And while Melania Trump was known to have been somewhat stiff as a model, she has clearly mastered that squinty, middle-distance gaze, which she regularly employs as First Lady.

Just so. The disassociation creates allowances for so much – what it takes to make what we use/eat/wear; what happens to the packaging – 40 seconds of use, 75 years in a landfill (or ocean); where does the gas/electricity comes from; what those processes are doing to the planet. We allow ourselves to be cut off from these things, conforming to a genre of existential hypnosis such that we cannot sense who we are and instead access an affinity for emptiness repackaged as fulfillment. Fearing anything that might soil our golden view, we reach for something far more depressing. And all the while, so much of this can be easily fixed. What are your associations?

Brandenburger Tor

The Brandenburg Gate has played a variety of roles in the history of Germany. Commissioned by Friedrich Wilhem II to represent peace, Napoleon also used it for a triumphal procession in 1806. I prefer to connect it with peace, at least until peace, too, becomes triumphal. This photo is from Sunday night, taken by Green boy young man.

Brandenburg

Away ’13

Tried to upload a photo, but we’re so far away WP doesn’t want to play along.

Just take my word for it, we’re away.

Away

WH_OB

Off (via several modes of elitist mass transit) to an undisclosed, mostly non-blogging location.