Posted on

On Popularism

The political strategy characterized by advising politicians, particularly Democrats, to prioritize policies with majority support supported by Wall Street while avoiding divisive, ideologically extreme, or unpopular issues, popularism consists of poll-driven, focused-grouped balderdash designed to resonate with existing public sentiment. While following polls is a bad approach, lefty or progressive stances that poll strongly are often not considered at all. Popularism is pseudo-analysis that elides clear public support for things like funding childcare and protecting immigrant communities, aka communities.
What are some leading issues? Are they popular? It’s an election year – let’s advise our candidates.
Over the past year, the White House has courted tech billionaires and gone out of its way to protect the AI industry’s agenda, fast-tracking permits for data centre construction and approving the sales of advanced chips to China while cracking down on states’ attempts to regulate chatbots … But across the US, citizens, clergy and elected officials in conservative communities are leading a grassroots rebellion against the rapid rollout of the technology.
Conclusion: not popular

And it was all too easy to be pessimistic about the prospects both for cooperation and for persuading voters to accept even modest future-oriented sacrifices.

Then came the renewable energy revolution. Solar and wind power have become cost-competitive with fossil fuels — they are, in particular, clearly cheaper than coal. Huge progress in batteries has rapidly reduced the problem of intermittency (the sun doesn’t always shine, the wind doesn’t always blow.) There’s now a clear path for a transition to an “electrotech” economy in which renewable-generated electricity heats our homes, powers our cars, and much more.

Conclusion: very pop– wait. It seems that the Trump administration has decided to block/rollback this transition that would benefit the planet, ensuring that the US will be left behind in global competition. Oh well.

ICE detention centers:

Communities across the country have been shocked to learn that DHS wants to use warehouses in their towns for detention space amid the ongoing immigration crackdown.

Conclusion: as popular as the plague. And speaking of…

The bipartisan American investment, which the Trump administration led, was absolutely key to containing a horrific global pandemic which could have been exponentially worse without the stunning accelerated development of mRNA vaccines — one of the great public health triumphs in modern history. But this miracle cure was only the beginning. The massive investment in mRNA opened doors to numerous other medical advances…

These mRNA advances would obviously benefit people in the United States, who would be much less likely to die of cancer, flu, pandemics, and a range of other illnesses.

Conclusion: popular, live-saving, beneficial across borders and populations. Unfortunately, also vulnerable to disinformation by cranks and malefactors willing to lie to enrich themselves and endanger others.

So even among this small variety of issues, clear policy preferences can be sorted. Public opinion has a role to play, and it’s especially important in the face of corporate media with thumbs on the scale, keeping unpopular issues and policies in a kind of eternal toggle state where the jury is still out. These should not be avoided. Look for candidates who run toward your preferences. Some might even already be there.

Posted on

On Cezanne

Rainer Maria Rilke spent much of 1907, from June to November, in Paris following the traces of one of the formative influences on his poetry, Paul Cezanne, who had died the previous October. In correspondence with his wife Clara Westhoff, Rilke wrote about many of the elements to making things; in these careful but free flowing love letters by any other name, he allows us a particular view toward the ramparts of the possible, the desperate, the beautiful and the audible truths that rise from great artists and art work. From Rilke’s  Letters on Cezanne, translated from the German by Joel Agee.

Monday, June 24

… This morning your long letter, with all your thoughts… After all works of art are always the result of one’s having been in danger, of having gone through an experience all the way to the end, to where no one can go any further. The further one goes, the more private, the more personal, the more singular an experience becomes, and the thing one is making is, finally, the necessary, irrepressible, and as nearly as possible, definitive utterance of this singularity… Therein lies the enormous aide the work of art brings to the life of the one who must make it, —; that it is his epitome; the knot in the rosary at which his life says a prayer, the ever-returning proof to himself of his unity and genuine-ness, which presents only to him while appearing anonymous to the outside, nameless as mere necessity, as reality, existence -.

So surely we have no choice but to test and to try ourselves against the utmost, but probably we are also constrained to keep silence regarding it, to avoid sharing it, parting with it in communication before it has entered the work of art: for the utmost represents nothing other than that singularity in us which must enter into the work as such, as our personal madness, so to speak, in order to find its justification in the work and show the law in it, like an inborn design that is invisible until it emerges in the transparency of the artistic. – Nevertheless there are two liberties of communication, and these seem to me to be the utmost possible ones: the one that occurs face-to-face with the accomplished thing, and the one that takes place within daily life, in showing one another what one has become through one’s work and thereby supporting and helping and (in the humble sense of the word) admiring one another. But in either case one must show results, and it is not lack of trust or withdrawal or rejection if one doesn’t present to another the tools of one’s progress, which have so much about them that is confusing and tortuous, and whose only value lies in the personal use one makes of them. I often think to myself what madness it would have been for van Gogh, and how destructive, if he had been forced to share the singularity of his vision with someone, to have someone join him in looking at his motifs before he had made his pictures out of them, these existences that justify him with all their being, that vouch for him, invoke his reality. He did seem to feel sometimes that he needed to do this in letters (although there, too, he’s usually talking of finished work), but no sooner did Gauguin, the comrade he’d longed for, the kindred spirit, arrive than he had o cut off his ear in despair, after they had both determined to hate one another and at the first opportunity get rid of each other for good. (But that’s just one side of it: feeling this from artist to artist. Another side is the woman and her part in it.) And a third (but only conceivable as a test for the upper grades) is the complication of the woman being an artist. Ah, that is an altogether new question, and ideas start nibbling at you from all sides as soon as you take just a few steps in their direction. I won’t say any more about this today.-