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The Grouchy Marxists

There is so much of this flying around our ‘culture’ right now, it can almost be too much. It’s like everyone is walking around dizzy from the constant eye-rolling, but can you blame us?

So this is really perfect, plus an expert book review:

By incoherence I don’t mean an “extreme” position or the shriek of the provocateur, but a specific genre of chin-stroking, brow-furrowing, “eye opening” sophistry that’s now robustly represented in mainstream newspapers and magazines. Fluttering near the political center (they refuse to be pinned down!), the exponents of the new incoherence look at the Right’s mushrooming despotism, then at the enfeebled, regrouping Left—and, with theatrical exasperation, declare that both are a bit tyrannical. These pundits are the opposite of adherents; all hail the Incoherents! Like the dadaists and the X-Men, the Incoherents are bound by a shared mission: in their case, the valiant disputation of other people’s missions (which we now know are really “orthodoxies”). Anecdotes and dazzling inanities draped over an individualist common sense—this is the technique favored by the scramblers of our discourse. Faced with Incoherent writing, the reader embarks on a psychedelic saga: the truly trippy liquefaction of virtually all of social reality, especially those parts that have been politicized by the Left. So if you crave a “fresh” opinion, feel free to open the New York Times—on class, read David Brooks; on gender, read Bari Weiss. And on race, read Thomas Chatterton Williams, who has now published his second book.

It has been interesting, at the very least, to observe Williams’s ascent. His first book, released by Penguin in 2010, was the memoir Losing My Cool: How a Father’s Love and 15,000 Books Beat Hip-Hop Culture—the subtitle is now Love, Literature and a Black Man’s Escape from the Crowd—which strode boldly, if rather late, into the “conversation” about black youth culture. (The Washington Post had run Tipper Gore’s famous op-ed “Hate, Rape, and Rap” a full twenty years before.) The volume’s original cover was a picture of the author in a suit: jacket collar popped, tie whipping in the wind. Behind him is a building emblazoned with graffiti.

Read the whole thing. Actually, read other book reviews, too. Hell, read books – but choose wisely! Thanks for the heads-up on this one, Mr. Haslett.

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For-profit Hate

How does one set of people loathe another whole set? Individuals, sure – it happens all the time, and some many deserve it. But it’s usually sincere, in that it doesn’t pay. You actually loathe them. But entire groups? Is something else at work? Can green mean stirring up resentments?

Steven Emerson has 3,390,000 reasons to fear Muslims.

That’s how many dollars Emerson’s for-profit company — Washington-based SAE Productions — collected in 2008 for researching alleged ties between American Muslims and overseas terrorism. The payment came from the Investigative Project on Terrorism Foundation, a nonprofit charity Emerson also founded, which solicits money by telling donors they’re in imminent danger from Muslims.

Emerson is a leading member of a multimillion-dollar industry of self-proclaimed experts who spread hate toward Muslims in books and movies, on websites and through speaking appearances.

Leaders of the so-called “anti-jihad” movement portray themselves as patriots, defending America against radical Islam. And they’ve found an eager audience in ultra-conservative Christians and mosque opponents in Middle Tennessee. One national consultant testified in an ongoing lawsuit aimed at stopping a new Murfreesboro mosque.

But beyond the rhetoric, Emerson’s organization’s tax-exempt status is facing questions at the same time he’s accusing Muslim groups of tax improprieties.

“Basically, you have a nonprofit acting as a front organization, and all that money going to a for-profit,” said Ken Berger, president of Charity Navigator, a nonprofit watchdog group. “It’s wrong. This is off the charts.”

But a spokesman for Emerson’s company said the actions were legal and designed to protect workers there from death threats.

“It’s all done for security reasons,” said Ray Locker, a spokesman for SAE Productions.

Emerson made his name in the mid-1990s with his documentary film Jihad in America, which aired on PBS. Produced after the first World Trade Center bombing in 1993, the film uncovered terrorists raising money in the United States.

Via Juan Cole. Hate to share this on a nice Friday. No groups or individuals, beyond the for-profit co-nationalists mentioned herein, were loathed in the writing of this post. And certainly not you.