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Scienceblogs.com agrees to have a nutrition blog written by PepsiCo.

Much consternation over at the home of science bloggingScienceBlogs. The forum for the brilliant OracPharyngulaMolecule of the Day, and countless other insightful, funny and informative blogs has decided upon a bizarre new strategy in sourcing new posts. As of yesterday, the platform will host a new blog written by food giant PepsiCo, all about the company’s specialist subject of refreshing sugary drinks and their benefits for dental and dietary health.

Is nothing sacred? Of course it isn’t – nothing at all. We’re as far past that as the Gagosian Gallery on its worst day might imagine. What is a bad day for them? What is the first thing BP did when they learned about the Deepwater Horizon problem? What was their actual problem? The whole reality of human habitation, its need for sustenance and breathable air, not to mention sufficient amounts of intellectual clutter, means not the same thing for the Limited Liability Companies among us. Sure we exist on the same planet and sign all manner of agreements, in principle, on paper gleaned from that planet’s perennial woody plants. But that may be where the common dimensions begin and end. A tear in one man’s time-space continuum is but a sub-bullet point in another man’s standard operating procedure (SOP) handbook.

Pace William Faulkner, the sacred is not dead and buried, it’s not even sacred.

God Hates Texas

As a young Dallas Cowboys fan in the seventies, I thought maybe s/he was just indifferent. But now Governor Rick Perry has confirmed the worst.

Later in his response, Perry said he feared a “knee-jerk reaction” to the oil spill, and said the oil spill could be just another “act of God that cannot be prevented“:

“We don’t know what the event that has allowed for this massive oil to be released,” Perry said alongside several other governors on a panel Monday. “And until we know that, I hope we don’t see a knee-jerk reaction across this country that says we’re going to shut down drilling in the Gulf of Mexico, because the cost to this country will be staggering.” Perry questioned whether the spill was “just an act of God that occurred” and said that any “politically driven” decisions could put the U.S. in further economic peril. “From time to time there are going to be things that occur that are acts of God that cannot be prevented,” Perry said.

We’re still in the early-middle of the post-beginning period of trying not to understand what has happened as God corporations have assumed their rights as a supra-governmental entities. There are still many more contortions along the lines of Joe Barton to go (actually, we won’t even believe Newt’s next turn in nuanced Randianism) some of which won’t even make re-written history books. They’ve spent decades training us, after all, selecting the best people for the most important but also the most minor offices, and with all of that time and investment spent cultivating the reality of benevolent selfishism, we’re not going to just be able to turn on a dime – like a dynamically positioned drilling rig, for instance – and just blame them for something they actually did.

I mean, come on.

Joel, get off the babysitter.

Hardly even looking, I found this. But that was a fluke. Things are actual quite the opposite when it comes to news about climate or the environment generally. No news is… no news.

It always makes sense to push hard to keep journalism accurate and to reveal disinformation wherever it pops up. But asserting that the bad quality of some fraction of 1.5 percent of media coverage is the key impediment to societal and congressional action on energy and emissions seems utterly silly.

That’s 1.5 percent. Of the news measured from compilations of weekly summaries. The ‘Mego’ concept/trend in newspaper editing is interesting (My eyes glaze over). So even news about climate denial or opening new oil fields should be encouraged, as at least it keeps the subject tangentially on any screen, in any way. Which is a weird thing to think about while the Gulf is on fire. It’s all of a part with the ludicrous objects of fascination du jour that win attention, of course, but also another a reminder of the need for solutions beyond the political.

So one of the small ‘l’ lessons would be, we can’t repeat this stuff enough. Until you think of something. So get off the baby sitter.

Green Faith

This could go without saying, but I guess if I really believed that, I would let it. There is no good faith element – as in, “We’re operating in good faith” – in a capitalist system. Nor does there have to be. There is only green faith.

WASHINGTON — Reversing its oft-repeated position that it was acting only on behalf of its clients in its exotic dealings with the American International Group, Goldman Sachs now says that it also used its own money to make secret wagers against the U.S. housing market.

A senior Goldman executive disclosed the “bilateral” wagers on subprime mortgages in an interview with McClatchy, marking the first time that the Wall Street titan has conceded that its dealings with troubled insurer AIG went far beyond acting as an “intermediary” responding to its clients’ demands.

They could clearly see it was toppling and vulnerable sector; opportunities abounded. Of course they were playing both sides, they would be stupid derelict in their duties, i.e., not competitive, not to. Just as we would be derelict in our duties stupid not to know this is what they are doing, particularly because of the despite the altruistic tone of their t-shirts and coffee mugs. The very notion that something, anything, is done by a company that is in the best interest of anything other than making more money is… worse than naive, it’s a sentiment that is itself counted on and used, where possible, to make more money – a tool like any other. No flag, no empathy, no brotherhood, no fidelity except to profit, where the loyalty is ruthless and unwavering. It has to be.

See the circle? You’re soaking in it.

Pompidou and Circumstance

So, I can see the Centre Pompidou from our bedroom window. It’s a huge glass rectangle surrounded by tubes and steel cables, designed by Renzo Piano back in the 70’s. From the plaza side [I’ll explain in a minute] it looks like a giant hamster cage/ant farm; the escalator is on the outside in a glass tube, going diagonally from the 1st floor to the sixth.

At its scale for the neighborhood, it’s a bit of a landmark anyway, and we’ve spent a lot of time just sitting in the plaza on the non-street side of the building, where you can do everything from have an old vietnamese guy serenade you with Smells like Teen Spirit on the guitar to have another of many, very zealous portraitists try to draw your picture [“You have a good nose,” they say and while I can’t prove it I think they say this to everybody] to nothing at all. People just sit out in front of this monstrosity (in a good way), have lunch, make out, smoke, talk, whatever. It’s pretty awesome, as tens of thousands of people live right around here, rents seem to still afford a huge variety of shops and restaurants despite or maybe because of the old underground mall next door (Les Halles), and the Pompidou serves as a kind of pass through destination for all and sundry. We actually came to it often during the last stay here, just to take a pause and sit outside.

Yesterday, we went inside the museum for the first time and, without being too dramatic, it changed a lot of what I thought about the building. First it’s a great building from the inside; the tube escalator is better than it is even curious from the outside. But most of all, it’s a great modern art museum, my new favorite [drawing from a, needless to say, shallow well].

We saw two exhibitions, neither of which I particularly liked, and one I especially did not. Lucien Freud L’Atelier; I already knew I didn’t like his painting, now confirmed. But there were some things about it that were good, just not the people in his pictures, who he seems to loathe. Other buildings, rooms, plants, even a dog appeared several times… all remarkably well done. Then the other exhibit, Dreamlands. The program says the goal of this exhibition “of more then 300 works is to show how the World’s Fairs, international exhibitions and amusement parks have inspired significant developments in urban design and urban life.” An ambitious mouthful and you can partially imagine the building of the Eiffel tower, Dali on Coney Island, lots about Vegas, some about EPCOT. But there was the Rem Koolhas book, Delirious New York, that I’d never heard of and they had some images from that. Then two Philip Guston paintings, one I had seen before. But thing was, interspersed with all of this on the sixth floor galleries were… staggering views of the city. All the while, you never feel lost in the labyrinth that some museums exhibition spaces can be.

So, this is already really long but, the only reason I was writing any of it was because of the permanent collection on the 4th and 5th floor. Debouffet, Leger, Bonnard, but also a lot of Picasso and Braque, one room of their back and forth images in particular that was great, each painting practically the same thing. Sculptures by Brancusi throughout, it was great to see this stuff after a day of work. And when I say stuff, I mean like this.

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When the Bug Hits

The late, great Vic Chesnutt once described during a show how [chairman of Eastern Airlines] Frank Lorenzo had destroyed Vic’s dad’s life. Combined with the little of Obama’s address I’ve heard, I was reminded of Vic’s dad and how our institutional failures get neatly organized into smaller issues for which singular persons are to blame – where we are left to ask ourselves how we can fix situation X, when it was caused by something altogether different.

No, the BP oil volcano in the Gulf of Mexico is not your fault, despite what many pundits will tell you. Back in the 1960s when the environmental movement got going, major US corporations responsible for much of the nation’s pollution decided to fight it by paying for television advertising that urged individuals not to litter, thus implying that pollution is produced by anarchic individuals rather than by organized businesses. It was a crock then and it is a crock now.

You did not demand that BP consistently cut safety corners more than any other petroleum company, thus resulting in the Deepwater Horizon calamity, which could end up costing the economy of the Gulf of Mexico literally hundreds of billions of dollars this year.

How much the Gulf oil catastrophe is not your fault can more clearly be seen if we consider the ways in which a BP refinery in Indiana is threatening the Great Lakes with excess pollution.

The BP refinery received permission from the Indiana legislature to increase its ammonia and silt (infested with toxic heavy metals) output into the Lakes. The increased pollution was part of an expansion of the refinery to allow it to process Canadian tar sands. In addition, BP has illegally spewed extra benzene into the lakes (benzene is a known cause of leukemia) and has also repeatedly broken the law with regard to air pollution standards.

You did not ask BP to dump extra benzene illegally into Lake Michigan (the lakes are connected). You did not agitate in Indianapolis to permit the refinery to expand to handle tar sand, which is all by itself an ecological catastrophe. You did not demand that more ammonia and toxic metals be dumped into the lakes. None of these crimes against nature was your individual responsibility.

Rather, the Indiana legislature passed these laws because of ‘legislative capture.’ That phenomenon occurs when an industry that is supposed to be regulated by a legislature instead pays so much for political campaigns that it captures the members and proves able to write the legislation affecting its interests. Legislative capture explains almost everything that is wrong with America today, from the wars to the difficulty in expanding health care, and from inaction on climate change to the high price of prescription drugs.

Legislative capture is not your fault.

That’s the time to scratch it.

Ballad of the Sleepwalker

So I’m in this semi-disclosed location working on a novel about a play and… reading about Garcia Lorca I came across his gypsy ballads. This one is the Ballad of the Sleepwalker:

THE BALLAD OF THE SLEEP-WALKER

Green, lo i love you green;
green wind, green branches;
the ship on the sea
and the horse on the mountain.

With a shadow around her waist
she dreams on her balcony,
green flesh, hair of green,
and eyes of cold silver.

Green, lo i love you green.
Under the gypsy moon
all things are watching her
but she cannot see them.

Green, lo i love you green.
Big frosty stars
come with the fish of darkness
that opens the road of dawn.
The fig tree rubs its belly
with a rasp of branches,
and the mountain, a filching cat,
bristles its angry spikes.
But who will come, and from where?
She lingers on her balcony,
Green flesh, hair of green,
dreaming in the bitter sea.

“Friend, i want to change
my horse for your house,
my saddle for your mirror,
my knife for your blanket.
Friend, i come bleeding
from the passes of Cabra.”
“If only I could my son
a deal would easily be done.
But no more i am myself
nor is my house now my house.”
“Friend, i want to die
decently in my bed;
of iron if possible,
with sheets of fine linen.
Cant you see the wound i have
from my breast to my throat?”
“Three hundred dark roses
cover your white shirt-front.
Your blood oozes and curdles
under your belt.
But no more i am myself
nor is my house now my house.”
“Let me climb at least
up to the high balustrades.
Let me come, let me come,
up to the green balconies;
balconies of the moon
where the water murmurs.”

The two friends go up
to the high balconies
leaving a trail of blood,
and a trail of tears.
Tiny tinfoil lanterns
trembled on the rooftops.
A thousand crystal tambourines
tore wounds across the dawn.

Green, lo i love you green.
Green wind, green branches.
The two friends ascended.
The long wind left
in the mouth a rare taste
of gall, mint and sweet basil.
Friend, where is she, tell me,
where is your sorrowing girl?
How often she has waited for you.
How often she might have waited,
cool face, black hair,
on this green balcony.

The gypsy girl rocked
on the face of the cistern.
Green flesh, hair of green,
with eyes of cold silver.
An icicle of moonlight
suspends her above the water.
The night grew intimate
as a little square.
Drunken civil guards
were beating on the door.

Green, lo i love you green;
green wind, green branches;
the ship on the sea
and the horse on the mountain.

Think of it as Layers of Sediment

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This was taken today at a special ‘In the Shadow of the Dinosaurs’ exhibit at the Musee Nationale de Histoire Naturelle. The accompanying text: Layers of sediment pile up as they are formed, much like newspapers are stacked, with the oldest on bottom and the most recent on top. By reading them from the bottom up, we can cover millions of years of geologic time.
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And indeed, we can. All this talk about mass extinction is making me thirsty.

Sun on the Seine

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Even with a moderate amount of walking, sometimes you come across evenings like this. Tragic, really.

I say “Tui,” you say, “lleries!”

I’m working on a long lecture about the importance of vast public spaces in an urban landscape. It’s just not ready yet. More study needed.