
Bon Dieu. Saltz catches us up on the techno-climactic imitation-felt confluence-peddling praxus-shuffling symbolically-metaphorical thrice-divorced yet still unimaginably and singly imponderable grammatically-scientific but geographically-sociological and revolution-intolerant latest art show:
The catalogue has words in it that I didn’t know. The show is about the “precariat” and “geontopower.” I looked them up. The first word is about a generation born during a period of the greatest accumulation of wealth in the history of the world but who nevertheless live in unstable economies. It’s worth pointing out that 99 percent of all artists have always lived like this. Needless to say most of the artists included here are relatively well-off —either schooled, degreed, living in more than one city (that’s a nice racket), recipients of important grants and residencies where they do “interventions with the local communities.” This is not to say, of course, that no beneficiary of art-world largesse should feel qualified to make work involving social critique. Quite the opposite. But I want to see them walking the walk, not just posing the pose.
To define the second word, “geontopower,” the catalogue offers a dodge: “a set of discourses.” You can’t win with these people! Words like “undercommons,” “hypercapitalism,” “networked mediascapes,” and “anarcho-syndicalists” are tossed off. There’s lots of usual art-speak about art that “interrogates,” leading us to conclude that in the last 15 years the art world has gone from being undertakers proclaiming mediums dead to becoming lawyers taking depositions. In an old neo-Marxist tip of the hat, the approved word for artists is now “cultural producer.” No artist can rise to these levels of activism. Especially not very very young ones. (And these are the same people who end up writing the histories, curating the shows, teaching the courses, editing out “impurities” from bibliographies, reviewing one another’s shows, hiring colleagues for jobs.) Meanwhile, a claque of critics lauds every show and demonizes all those who don’t. It’s airtight.
There is no joy in attending a gathering of people who [ostensibly] do what you think you do but all urgency is being discussed in a language you do not understand. It could be that the end-product of the eventual combination of art and business schools is to organize an end-of-the-world exhibition where nobody comes.

Hilarity ensues as the Trump ministration launches a trial balloon for 


So fB is headed for a showdown with the Mueller investigation, or at least the inauguration of a new transparency czar for the
Include our brains. This report about Houston from last year outlines how unchecked development remains a priority in the famously un-zoned city, creating short-term economic gains for some while
In early September 2008, I drove down to Charleston to visit a cousin who had recently suffered a terrible accident. Throughout the drive I listened to extended public radio reports on an evolving calamity: the collapse of Lehman Brothers financial services firm. The horror that the government was going to allow such a large firm to go under was decorated with the baroque gadgetry of terms that would become more familiar in the coming years: credit default swaps, subprime mortgage lending, tranches, CDOs. The gore and detail of the cover that had been constructed around scams and fraud at the broadest level was audible in the voices of interviewers and guests. There was a tinge of disbelief within their attempts to explain what these terms meant and how they had gotten us all (!) into so much peril. It was as close to 1929 as we had come and potentially far worse – so extensively had the giant vampire squid of financial engineering welded its tentacles to every sector. Housing, banking, investing, construction, debt, bonds… this is business America now, and every other activity is vulnerable to its caprice. It was the stretch run of a presidential election as well; one candidate tried to suspend the campaign, the other fortunately tried to hold things together.
The stupidity of millions, millions of individually stupid decisions, has brought a spiteful revolution to its denouement. Or a screaming kid to its mall, whichever you prefer.
In tribute to the great